In honor of the newly released sequel to Good Girl, Widow. For Widow’s Blog Tour & her BIRTHDAY, author Erica Chilson is offering all the books currently in release in the Blended Series at a heavily discounted Rate. Combined, ONLY $3.99 for 1,500 PAGES of angsty twistedness.
Begin your Blended Family epic saga with Good Girl– FREE for a limited time only, July 10th-14th. Follow Willow Prynne as she grows into her own woman, all the while introducing you to the Blended Series’ cast of characters. Willow’s journey is a coming-of-age tale that dives deep into the darkest recesses of a young mind, while maintaining a feeling of growth and hope.
Erica Chilson is all about the balance. To lighten the darkness within Good Girl, Wildly Wedded Wife, the Blended Series first novella, spotlights Bethany & Rory. Only *99 pennies* Cute, sweet, romantic, and enlightening, Beth & Rory take the reader on a wild ride from Auggie’s hedonistic Playroom all the way to Las Vegas- wee… wee… wee…
Widow parallels events in Good Girl, while showing the reader a more mature and different side of the story. Clover Webster & Malcolm Mason are proof that second chances do in fact exist, even when the world is against you. Widow is an emotional journey through all aspects of life, leaving the reader with a sense of hope and redemption for the future. Grab a copy July 10th-17th for $2.99 and save off the regular price of $4.99.
Please visit author Erica Chilson’s Amazon page to buy your copy today at a heavily discounted rate.
Disclaimer: The Blended Series is for mature audiences only. 18+ Contemporary Romance with an erotic twist. Good Girl features bisexual themes and sexual content that some may find disturbing. Drug Use is prevalent, without being Pro-Drug or Anti-Drug. Recreational Drug users and abusers are in our everyday life, and the Blended Series is nothing if not reality. Wildly Wedded Wife contains sexually explicit content, with a scene featuring a wicked male/male sex toll into the Playroom. Widow features sensual erotic themes, guaranteed to leave you jonesing for a sensual massage.
NOTICE: If you already own a copy of Good Girl, and the title page does not list the Revamped edition as February 2014, then you must update your copy before continuing on with the series. The author made major changes to the foundation of the Blended Series. You do NOT have to re-purchase. Please visit *Updated Editions* for details.
Impatient for more from the Blended Series? You don’t have long to wait. Coming late July, Wanton (Blended #2.5), Opal Fischer & Ginny Jamison’s tale, diving deeper into the cast of characters than your average novella. Coming late September, Warped (Blended #3). In Warped, delve into the mind of Devon & Kieren Mason, & Willow & Essie Prynne.
With much appreciation, could you please spread the word of The Blended Series S*A*L*E. Word-of-mouth is an indie author’s bread&butter. For less than the price of a Frappe, you can spend days, if not more than a week, reading 1,500 pages of angsty twistedness. Show your thanks to the author by sharing the sale and leaving an honest review on Amazon & Goodreads.
The wicked Writer sings,“Happy Birthday to me. Happy Birthday to me. Happy Birthday, dear Erica. Happy Birthday to me!” *passes out FREE Kindle copies of Good Girl to her readers as birthday presents*
Bethany Oman: Another six months and my thesis will be finished, and then I can stop this suffocating charade. My dream is to become a therapist specializing in sexual dysfunction. What better way to write my thesis than in a Playroom filled with sexual deviants? Only problem, I had to become a deviant in order to gain entrance to the Playroom… and then I had to explain my motivations to Augustus Kline, who offered me protection for a very steep toll.
My other dream is standing before me, smirking with anticipation. My original, lifelong-dream, who could easily destroy any hope of my becoming a therapist if I’m not careful.
And Rory Essex makes me feel anything but careful.
Willing to do anything it takes to gain the woman he loves, Rory makes a deal with Beth, which forces him to bargain with the Devil Himself.
Accepting Augustus Kline’s toll into the Playroom, Rory gains the key to making Bethany his Wildly Wedded Wife.
Wildly Wedded Wife is Book #1.5 in the Blended Series. Contemporary Romance with erotic themes. 18+. Warning: content may be too steamy for those with delicate sensibilities. WWW is approximately 35,000 words.
Click the image to be rerouted to Amazon US to purchase for only 99 pennies.
Katya Waters is aging gracefully, as her book has reached its 2nd year in publication milestone. If you’re a fan of the Mistress & Master of Restraint Series, tell your friends about this limited-time discounted rate of 99 pennies: April 23-30th only. Mistress & Master of Restraint Series is filled with dark twists and suspense-filled plots that keep you guessing and hungry for more. Restraint is book #1 of the 11 books currently in release.
Good Girl is Restraint’s less dark, but no less twisted, little sister. The debut in the contemporary/erotic romance Blended Series is free for a limited-time only: April 24-28th.
This birthday promotion is the best way to take a chance on author Erica Chilson, the Wicked Writer, without wasting a penny. Sample her writing style by delving in, and experience her warped sense of emotional torture while shining a bright light of hope within the shadowy darkness, promising a brighter future for her characters.
***Check price before you one-click***
Restraint: .99 cents 4/23-4/30
Save $3.00 on this 300 page wicked read by buying today.
Good Girl: FREE 4/24-4/28
Discount price at 99 cents in anticipation of its sequel, Widow, list price will be $4.99 as of July. Save $4.99 by downloading this 700 page saga for free today.
***Support Indie Authors by sharing promotions, and reading and reviewing. & Most importantly, word of mouth, by telling your book buds about this amazing steal***
Question: Do you find your reading tastes evolving as your life changes? (not that any genre is better than another, just differing from before). Please answer this for me via the comments on this blog, email at firstname.lastname@example.org or M&M of Restraint closed group on FB. My curiosity is getting the better of me. I want to know if I’m somehow… broken.
My long-winded answer, with a side of defensiveness over some comments over Good Girl NOT being Erotica: (must never read another comment or review, because to me it’s like telling a mother her kid is homely. I’m sick of explaining myself, as if I have a reason that I should be defensive. My book. My rules)
As a child, I was a reluctant reader. My teachers were beside themselves because I didn’t want to read ‘Clifford the Big Red Dog’ or other books children my age thought were entertaining. I looked older than I was, and apparently I thought older than I was as well. This was decades ago, way before Kindles and ebooks. Books for the tween-aged girl were The Baby Sitter’s Club or the classics. Easily bored, it took a lot to entertain me and keep me engaged- still true to this day. My parents were at a loss, so that is when I received my first magazine subscription in my name at age 8: Mad Magazine. <- My father’s idea. 😉 Somehow he knew I’d turn out to be a closeted pervert who thought violence was humorous. “Spy vs Spy”
When I began reading novels at 10 years old, I read VC Andrews and Stephen King. Horror, mystery & suspense, with a side of sex, was the only thing that would capture my attention. Too mature for most kids my age, I’m sure. I’m no worse for wear, but highly well-read. Mom wouldn’t budge on Anne Rice, though. If a stranger had found my library card, they would have thought I was a grown woman. Good thing the librarian was my aunt and didn’t bat an eyelash at my selections. I never really thought about that until now… what did my aunt think? “Strange Kid,” I bet.
My early 20s were dedicated to VC Andrews and Oprah’s book club selections. In my late 20s through early 30s, I read Urban Fantasy and Paranormal Romance. Yes, you can thank the over-criticized Twilight to that obsession, and I’m not ashamed. It’s still one of my guilty pleasures.I was entertained; what more can I say?
For some reason I’ve yet to explore, I moved onto Dark Erotica, mixed with Young Adult as a palate cleanser. This is when I began writing. Although I was leaving UF & PNR behind, my first book was UF, and that’s why it’s my first book- the shelved Chrysalis that may never see the light of day. My second attempt was a mix of BDSM and Crime.
Restraint was a whim that I thought would never come to fruition, and less than 3 months after I started writing it, it was published. Obviously after this I read many books in the Dark Erotica and Erotica genres. Yes, I wrote Restraint way before I ever read a book it would be classified alongside. For me it was about control, and the lack of control I felt over my life, and had absolutely nothing to do with sex. Sex was just a metaphor to express how trapped I felt. While I had to categorize Restraint as Dark and Erotica because of its explicit nature, it was never smut. Never sex for the sake of sex. It was human behavior- a cerebral fucking.
Good Girl was another precipice in my life. A hybrid of contemporary and non-sexual BDSM(control over your own life and actions) with playful sex added into the mix. I was no longer reading Erotica or Dark Erotica. I’m not sure why my tastes have changed yet again. But I can’t read this type of book, and I haven’t for almost two years now. When readers recommend books that are in a similar genre as my own, I try, truly try, to read them. But I can’t. My tastes are now story-driven. It’s why I always liked YA so much. I want 100% story with amazing chemistry between well-fleshed-out characters, not 10% story with repetitive sex. Once sex is introduced, I get bored and check out, or want the story to end.
While many enjoy this: the following statement is about what I enjoy. You can debate me if you wish, but this is about personal preference and how it affects my writing style. What is sex without buildup? If it’s just input a character name here, put peg A into slot B, it doesn’t hold my attention. A hot, smooth talking dude just makes me groan. Give him some kickass name that I think is beyond ridiculous, make him heavily muscled, borderline abusive, and without any true characteristics, add a whiny woman without any self-respect, and make them screw in between 5 pages of storyline, and then screw again and again and again. Maybe add another cookie-cutter character into a menage. Don’t forget to add the Baby/Babe. Sorry, no! I can’t swallow it. I just can’t.
I understand the appeal of smut, why readers long to read it. It just doesn’t hold any appeal for me. Erica longs for… more.
In real life, that same douche wouldn’t do a thing for me, either. If he’s the abusive ass, I’d find him as an abusive ass. If he flashes me a bullshit grin… charm to me is false, lies, and highly annoying and predicable. To me it’s like small talk- I don’t have time for that waste of time… I am nothing if not serious. Debate me; that will get me hot and bothered, or just bothered. But either way, you’ll get an honest reaction out of me vs polite bullshit uttered out of social obligation.
When I read a book, I want to be left wounded, raw. I want real- real in all its glorious, pain-filled flaws. I want my emotions warped until I feel what the character is feeling, until the character becomes a true entity, and that is what I hope I achieve with my writing.
So now I find myself reading cheesy Historical Romance. Why? Why the hell would a woman who writes the M&M Series read about that era, an era that goes against her core belief system with its maltreatment to women? Easily answered: because it’s the same as when she was a child; Erica wants to read the opposite of her situation. She wants anti-reality. I’m also reading contemporary. Why you ask: because Erica also wants to read about reality. The mind that creates stories is complex enough to have to read varying genres to fight ennui.
Never fear: nothing will EVER inspire me to write historical. I love it, but just like novellas and short stories, I couldn’t write it if my life depended on it.
What does this mean for my writing future: I don’t know. M&M holds my undivided attention because it is so involved, twisted, character-driven. And as you can see from earlier books in the series vs later books, I refuse to add sex for the sake of sex. Any and all sex is to drive the story.
So I find myself with some negativity on Good Girl, not only for the addiction theme, but for the lack of erotica. Nowhere do I list this book as a sex-fest. I know readers do like smut, and I have nothing against it. I do not enjoy smut, so therefore I cannot write smut. So to negatively rate Good Girl because you are judging it against M&M or books in differing genres, is ludicrous. Good Girl, the Blended series, is NOT erotica, so to judge it against erotic is like judging Harry Potter against Fifty Shades. While Good Girl has sexual situations and themes, because real life has those, it is not a sex book. Never was, never will be, and I will make no apologies for it either. Other books in the Blended series, the sex will vary by the character. I’m not cookie-cutter. My characters are complex and different than the others. One book will not be a repeat of the last with the names and locations changed.
Is there anything I haven’t written? Any line I’ve refused to cross? I can understand why M&M readers would be blindsided by… borderline normal in Blended, but that doesn’t change a dang thing. I am the immovable object, and the only unstoppable force I will ever concede to is my own mind. Negativity will NEVER get me to move. It will only get me to become even more unbending. I’m always baffled by some comments and emails I get. My characters are dominant being. Who do you think created them? Exactly.
While many of my hardcore M&M fans will NOT enjoy Good Girl, the small following of Blended fans will NOT like Restraint. Why, you ask: because Erica Chilson is not a one-trick-pony. I have the capacity to write differing genres with equal fervor. I can write both, and I don’t ask my readers to read both. I’m good with two separate followings with a group of readers that straddle the genres. Just as my tastes have evolved over time, my writing does as well. Just as I was as a child, I am easily bored. I need both anti-reality and reality to keep myself interested… and an interested Wicked Writer writes better books than a writer that feels pressured into writing what readers want.
Many know that I’m editing Good Girl, but few know I’m completely rewriting it for publication into paper. The rewrite has been an eye-opener into my growth as a writer. I could go into great detail over the changes I’m making, the scenes added or subtracted, the abundance of words deleted, and the total restructuring of, not only the novel, but, the series as a whole. I’m not going to bore my readers(new & my faithful followers from the beginning) with over-explanation since it starts to sound like bragging or like I’m putting down my own work. I’m nothing if not humble… because this rewrite is a humbling experience to say the least. But I take great comfort in seeing my growth over the past sixteen months since I began writing Good Girl.
I’ve said time and time again that I was releasing Widow by such and such a date, only to go back on my word. Subconsciously I was stalling because something felt off… and then I knew. I knew what I needed to change for the betterment.
When I announced my rewrite in the M&M of Restraint group on Facebook, I was asked why I’d change a novel that was currently published. My answer was that as I grow as a writer, I want my books to evolve with me, and it would be disrespectful to the story and the readers to leave it… as less than it could be. But the reality of it is, Good Girl is the foundation of a 7 book series. If a foundation is weak, the entire series could crumble. I don’t work as hard as I do; I don’t create these characters, their worlds, and breathe life into them only to fail.
A story starts with a single thought and is fostered over thousands upon thousands of hours… and that’s not when you’re writing. Willow and company have been in my mind since their conception, over sixteen months ago.
Every. Single. Day.
As a constant reminder of failure, I retain a few glaringly detrimental plot devices from the M&M of Restraint series. I’m currently writing book 12 in that series, and I’d love. LOVE. to fix some things that are set in stone. My only recourse was to slowly arc the story in the correct direction… lesson learned, I’m not doing that to the Blended series. I’m fixing it in the beginning before I make more work for myself in a later installment.
I will announce that the Playroom series is now the Blended series, because the premise revolves entirely around a blended family, not the roving environment of Augustus Kline’s creation. I also changed the genre from Erotica to Contemporary Romance and Erotic Romance, also because the focus is not on the lifestyle. M&M is hardcore, dark and twisted, mysterious and suspenseful, with a hefty dose of kink. That is not what I want from the Blended series.
My thoughts: if I wanted my two series to be identical, I’d just write more books in a particular series. In the beginning, before I knew better, I’d read reviews. A handful of reviews stated Good Girl wasn’t like the M&M series, and this was in a negative tone. No, Good Girl is not like the M&M series… because it’s NOT the M&M series. It’s the Blended series and they are nothing alike.
I needed completely opposite ends of the spectrum from my series. M&M is the scandalous tales of the rich and twisted. Blended is the real life issues of a blended family struggling to survive in mainstream America, while they endure the stresses of combining a two large families while one of their own battles drug and alcohol addiction. Blended is regular folks… and I’m okay with that. Sometimes you need to experience heartbreak and triumph from a source outside of your personal life so you can deal when real shit hits the fan- a story to draw strength from.
Each and every one of these characters is connected through blood or blended through marriage. The ties that bind have absolutely nothing to do with the roving playroom and everything to do with the blending of a family; hence my decision to change the series title. Their ages range from fourteen to forty and, with the exception of Good Girl, every book is an HEA book; hence the need to change the genre to Contemporary Romance.
The Blended series begins with Willow Prynne’s journey from a disillusioned teenager to a mature young woman. Good Girl has a brand-spanking new synopsis:
There aren’t many options for a girl who falls in the middle. I wasn’t an athlete or a geek. I wasn’t an artist or a musician. I didn’t shake my pom-poms along with my ass. I was just a good girl who got good grades and kept her mouth shut. I didn’t date my high school sweetheart and promptly get married the second I was handed my diploma. I’m not shiny enough to attract notice, nor dark enough to be a problem.
I don’t have a tragic sob story. My daddy didn’t leave us destitute and I’m not a victim of a bad neighborhood. I am a middle-America, middle of the road, middle class girl with both parents fussing over their youngest daughter, who has no aspirations or goals. I’ve had every opportunity to succeed- supportive parents, stability, and a strong upbringing. I’m wayward and everyone looks at me like I’m an alien.
My philosophy: how should I know what I want to do with the rest of my life the day I graduate? How am I supposed to know the second I turn eighteen what I am destined to become? One moment you are a disillusioned seventeen-year-old with the world at your fingertips, and the next, congratulations, you’re eighteen and you’re on your own.
With all the changes, I hope that the series appeals to the mainstream and deviants alike. The Blended series rides the edge of both categories and I believe it will be mind-opening for the former group and entertaining for the latter.
While writing Widow, I found many stumbling blocks. One was an event that was hard to swallow. The Widower sickened the Widow when she found out what transpired, creating a major point of contention within their budding marriage. From a parental standpoint: it was beyond disturbing. From a teenaged idiot standpoint: it was fun and exciting, thrilling, and equally fucking stupid… just like a real teenager would behave.
While I didn’t regret the scene, (it wasn’t one of those plot devices I wished out of existence), it was difficult to write and read. I didn’t want it to be sexy even though it’s perceived in that light. I wrote it in a impersonal, clinical manner with little to no description, and it barely took the length of one page. This scenes was the catalyst for every mistake thereafter… and responsible for the majority of Willow’s growth.
Willow’s future view on this moment in time vastly differs from how she felt in the moment. I added a caveat to appease my reservations. For the first time ever, I added a passage written in the future tense about the present tense, and I hope I accomplished my goal. For those of you who read Good Girl in any of its editions, you’ll know where this occurs in the timeline. .. and if you can’t place it, then that shows you just how much I’ve altered Good Girl.
There are moments in your life that you can never get back- the tipping point. These are the moments you simultaneously wish you could change yet keep forever the same. A time when your older self wants to transport back in time and scream STOP at your younger self, and perhaps slap the stupid out of you while you visit. You tell yourself pretty lies to cover the agony of betrayal. At some point, your future self accepts reality as it is and no longer believes the lie. But in present time, the only thing that saves you from life’s bitter truths is the lie you weave for yourself- the altered perception of reality that blinds you to the mistake you’re making. It’s a knife’s edge that can either be wielded to protect you or cut you, and either way it alters the core of who you are, who you were meant to be, and who you become.
This is the first of those moments for me- the first of many.
Days, weeks, years from now, I’ll wish I had analyzed what was happening and put an end to it. I won’t regret, because tonight’s actions, and those after, lead me on a path of enlightenment- a path I earned through mistakes. I’ll forever rue my teenage ignorance in trusting when I shouldn’t. As it is now, my mind is spinning, unable to light on one thought, let alone the dozens flitting around in a stew of confusion and unbridled lust.
The Blended series revolves around the following main characters, each of whom will get a voice within the series:
*titles listed in series order and subject to change, with all books after Good Girl sharing narration*
*shared narration does not equate romantic entanglements*
Good Girl:Willow Prynne.
Widow: Clover Webster & Malcolm Mason.
Wayward: Robin Prynne, Isis Mason, & Augustus Kline.
Waver: Willow Prynne, Devon Mason, & Kieren Mason.
Warped: Essie Prynne & TBA.
Wicked: Violet Webster & Raven Mason.
Wanted: Seth Webster & Weston Mason.
… and yes, I was tempted to either change Good Girl to Willow or Wanton to follow suit with the rest of the titles. But as the foundation of the Blended series, I wanted Good Girl to stick out, just as its single narration and lack of an HEA. Good Girl was merely an introduction to a vast cast of characters that longed to tell you their stories.
This is the introduction of the Widower & the Widow. Chapters 1-3 happen a few days prior to Chapter 50 of Good Girl, with Chapter 4 of Widow being Chapter 50 of Good Girl. I hope this sets up the time frame. Good Girl flawlessly slides into Widow, with Malcolm Mason & Clover Webster as Narrators.
I just finished chapter 27, have outlined the rest of the scenes, and foresee Widow’s release the final week of August (depending on the muse, and all outside forces beyond my control)
Here is the introduction to the Widower & the Widow. Enjoy!
“I won’t be home very early tonight, Kieren. Sorry about that,” I exhaustedly mumble to my second oldest son as I gaze around our breakfast table. My eyes light on the empty seat and pain lances deep within my chest.
I’m failing them… my family.
“It’s alright, Dad,” Kieren shrugs off all the responsibilities I put on his shoulders. Since my wife killed herself, Kieren and Devon have been my wife and support system. The pressure combined with the painful memories is why there is an empty seat at our table- my son Devon is spiraling down to beyond rock bottom, and it’s all my fault.
“I have a shit load of paperwork and reports to file. I’d rather be here for you kids, but I have to clear some of this away so that I have some free time once school’s out.” I lamely offer my excuse.
“It’s fine,” Kieren stresses as he begins clearing away the breakfast he made me and his siblings. I stare at my son thinking to myself, NO! No, it is not alright. But I refuse to be like my father. But I am, aren’t I? My father would bring women home to take care of us. I’ve never done that. But my father left me to take care of my baby sister, Isis. Just as I’m doing to Kieren, making him take care of house and home… Weston and Raven.
When Kieren graduated high school, Devon was already at the police academy and I had to work to put a roof over our heads. My son threw away his own happiness to take care of ours. Kieren has a full ride to State on a football scholarship, but he threw it away to be a grease monkey so he could be close to home. It’s why I never let Kieren get away with shit. Most parents would have kissed Kieren’s ass, but not me. I rode Kieren hard, all the while thinking Devon was perfectly fine.
I’m a fucking failure.
“Don’t,” Kieren barks at me as he stacks the cereal bowls. “Get your book bags,” he says to Weston and Raven. “Your lunches are on the kitchen island. Meet me in the truck in five minutes.”
I stare at my hands, waiting for Kieren to light in to me. I deserve it. I sigh, wishing our lives had turned out differently… especially for my eldest sons. Kieren should taking finals for his freshman year at college, worrying about getting piss-roaring drunk and how many chicks he could bag at this weekend’s frat party. Instead, he’s playing happy homemaker, raising my kids, cooking my meals, paying my bills, and working a minimum waged job.
… but then again, Devon should be getting into the car with me to ride to the station, where we would protect and serve our community. But Devon’s marinating at rehab in Arizona.
Failure. Fucking. Failure.
My father was a ruthless, cold bastard that failed Isis. Camille failed us all. I failed us all. Devon failed Kieren, leaving him to take care of Weston and Raven. What a legacy I’ve created.
“Knock it the fuck off,” Kieren hisses, and he never raises his voice at me. Kieren will scoff or make fun of me. But usually he’s gentle, understanding and giving. I raise my eyes to the boy that looks like my father and his mother.
All of my kids are a mix of my family. Devon is the spitting image of his mother, but with my coloring: on the small side, light blue eyes and dark curls. Kieren is built like my father and me, HUGE. But he has his mother’s blond hair. Raven is all Isis. If my sister weren’t still breathing, I’d swear my only daughter was her reincarnation. I’ve never seen anyone as heart-stoppingly beautiful as the women in my family. But it doesn’t make me proud, it terrifies the hell out of me. Weston will look just like Devon when he grows up, but his hair is a shade or two lighter.
“I’m so fucking sorry,” I mumble to the reason I still breathe. Only five people mean anything to me, and I’ve failed them all. I’ve longingly stared at my service pistol, wanting to taste its barrel. But I can’t do to them what Camille did to us all. That dumb cunt even used my service pistol to end her pathetic existence. Every day I get to carry a reminder of how much I’ve ruined my family.
“I said,” Kieren bites out, “to knock it the fuck off. I’m sick of this attitude you walk around with. We were doing good until Devon’s… fuck up. He’s going to be twenty-one. Devon’s a man, and he wouldn’t be in rehab if he took responsibility for his own actions. You walking around blaming yourself is bullshit,” Kieren hisses.
“He’s my son,” I wince when my voice dips down to a whine.
“And he’s my brother,” Kieren counters. “We were supposed to take care of each other, but Devon is a selfish asshole… and that ain’t got a thing to do with you, Dad. Isis, Devon, and I are grown. Rae’s gonna be sixteen and West is closing in on fifteen. All ya gotta do is blink and they will already be out of high school. It’s time for you to move on and get a life.”
“I’m working on it,” I say with a secret smile, and Kieren laughs like a man. That satisfied rumble that only a real man can make. I’ve been waiting for Devon to join our ranks- Augustus and me- but Kieren’s beat him to it.
“I’ll have Rae text Princess to occupy Clover so you can get your loot.” Kieren heartily chuckles. “I’ll see you at lunch. And I don’t give a shit how much work you have to do, be home by seven thirty or I’m sending out a posse. We’re having spaghetti.”
“Alright, I’ll be home by seven. See ya,” I say while clasping my son’s shoulder. I grab my belt on the way by, hooking it into place. I never leave the house without pulling on my Chief Mason persona.
“Be a good girl,” I murmur against my baby girl’s velvety soft forehead.
“I will, Daddy. Not too much is going on at school,” Raven sweetly says, but I trust her as much as I trust Devon. Zilch. An angelic smile from Raven… yeah… lest she forgets who raised Isis. I know all of my daughter’s tricks before she even thinks of them.
“Um-hmm…” I murmur while smiling against Raven’s forehead. I don’t even have to ask, Weston automatically gives me a hug from behind before charging out to Kieren’s truck. Weston is a good boy, I don’t have to remind him to behave. But… I thought Devon was, too. I wasn’t completely blind. I’ve always known Devon’s issues, I just thought he had them in hand. So far so good with Weston and Raven. Rae can be a little bitch and Weston can be devious, but no issues are cropping up from our shared nightmare.
Heart still stinging over the fact that my first born isn’t with me while we ride to work, I hum a tune while I get into my town-issued SUV. But I drive in the opposite direction of the Court House. I have some treats to pick up. I said I’d never be like my dad, and I meant it. My father was a wholly male. Chief John Mason was a fair man, but he was unemotional. He liked to call me a pansy-assed girl because I’m so emotional. But the man did all that he could do to keep us alive, teach us to be good human beings, and be self-reliant. Dad worked hard, and he found harder women to take care of Isis and me. I swore I’d never do that.
… But as I park down the street from Clover Webster’s home, I wonder if I’m doing just that. Not in a million years would I call Clover a whore, like the women Dad brought home to us. But stalking a women seems wrong. But fuck if it isn’t the highlight of my day.
Clover is a good woman. It doesn’t get any more right than when your kids get pissed enough to hook their parents up. The seven kids think it’s a good idea, and I tend to agree. Plus, the woman can cook.
I rub my belly as a smile stretches across my face as I ghost down the street towards my prize. A bouncy ponytail catches my eye, causing me to growl. “Girl,” I hiss. “Gitcha skinny ass right back here!” I run headlong towards the bane of my sons’ existences, and if all goes well, my future stepdaughter, and undoubtedly, my future daughter-in-law.
Willow jogs up to me, box of baked good clutched to her chest. “Seth said Clover was guarding the front window. So I had him distract her while I grabbed the goodies,” the tiny thing breathlessly gasps out. “Here’s your cut.”
I take my two dozen sour cream donuts and scowl the girl down. “Where’s the cherry Danish?”
“I don’t know what you’re talking about,” Willow poorly lies.
“Girl, don’t make me spank your ass. I can smell the cream cheese icing…” I sniff the air. “Is that chocolate I smell?”
“Here’s your Danish,” Willow says as she flops a box on top of my donuts. Willow flashes me a brilliant grin, and then takes off at breakneck speeds towards the ancient piece of shit Ford Explorer that she bought from Robin. I momentarily get distracted by the fact that Robin would rip off a relative and that Willow can run like a gazelle.
“Hey, that’s Clover’s seven deadly sins chocolate cake, isn’t it?” I run towards Willow’s car as it idles at the curb.
Willow spills into the driver’s seat, and yells out the window, “Clover was mine first. I’ll always get dibs on her food.”
“You’ll get a fat ass,” I caustically warn, but all Willow does is laugh at me as she drives away with the cake I’d requested my reluctant woman to make. The loneliness suffocates me as Willow drives away.
I am alone, and I’ve fucked it all up.
I am the Widower.
“Did you study for your algebra exam,” I ask Seth for the tenth time. He’s ignored me while texting Willow. I love that they are as thick as thieves… but the little shits are up to something.
I hate how my son doesn’t give me the time a day. I’d ask other moms of teenagers if this is par for the course, but I’m not friends with any. I have no idea if it’s normal or not for your children to act like you were put upon this earth just to feed, clothe, and shelter their entitled asses. They do not see me as a living, breathing person that has feelings that can, and always do, get hurt.
“Uh-huh…” Seth mumbles while his fingers flash lighting quick on his cell phone. I’m not even sure Seth heard me until he replies, “I’ll ace it… I always do.” He rolls his eyes at me like I’ve lost my ever loving mind. My son is obsessed with math and science, so he can’t figure out why I’d worry that he wouldn’t study for algebra. “Why do you keep looking out the window?”
“I’m not,” I poorly deny, and fight my natural instinct to guiltily look away from the front window. My box of baked goods is still there. Two dozen sour cream donuts, a cherry Danish, a layered chocolate cake, and four dozen sugar cookies. My not-so secret admirer sent me two sets of demands last night. I hugely yawn as I think about how late I had to stay up to accommodate the requests. Sometimes… at all times… I wish I had some help.
“Sure you’re not,” Seth grumbles. “Twin,” he shouts. “Kieren will be here any minute. Gitcha ass down here.”
“Don’t be vulgar,” I chastise, and receive another disrespectful eye roll. I try my best to teach my kids not to be heathens, but it’s an uphill battle. My parents are pot-headed tree-huggers that are a foot away from a retirement home if they don’t behave, and Willow swears like a pissed off drunken pirate. Is it too much to ask for them to act civilized?
“Ass,” Seth baits me… Yes, it is most definitely too much to ask. Seth needs a father to kick his ass for the disrespect. The boy is bigger than me now, and he really doesn’t care if he upsets me or not. I’m just the person who gives him whatever he wants.
I’m invisible. Just as Sam wanted it. I can almost feel my dead husband gloating from Hell.
“Heathen,” I grumble, giving a dramatic eye roll of my own. “I can take you to school. It’s on my way to work,” I helpfully offer, wanting a few minutes where my kids can’t get away from me, where they’re forced to talk to me. I’ve yet to figure out why my kids are hanging around the Masons. Hell, why is Violet being polite? It makes my brain hurt just thinking about it.
“I’m ready,” Violet happily says, bouncing into the room. Happy is not in my daughter’s vocabulary. Something is up. My self-conscious need for perfection has led Violet to act like a stick is firmly shoved up her ass. A stick she inherited from me.
“It’s just easier, Mom. Ren is already taking Rae and Wes to school. We were on the way,” Seth logically supplies as he grabs for his messenger bag.
Feeling lonely, I’ll try anything for a few extra minutes of my children’s time. “I…”
“You have enough to do, don’t worry about us getting to school,” Violet sweetly says, and my suspicions rise. I narrow my eyes, but something out of the corner of my eye catches my attention, or lack of something. My secret admirer managed to take the huge box of baked goods off of my porch without me noticing. How the hell does he do it?
“Fuck,” I hiss in awe, receiving identical looks of disbelief from Seth and Violet. I never swear out loud, but I swear worse than Willow inside my mind. “Um… nothing. Have a great day at school today,” I brightly say.
“Yeah,” Seth mutters, knowing I’m full of shit. “Later,” is his goodbye, and Violet mumbles the same. It hurts my heart that my children won’t touch me out of affection… ever. I haven’t had a hug in years, just as Sam wanted it.
I watch my children engage the Masons, hugging and giggling as they pile into Kieren’s beat up pickup truck. My twins act like kids around their friends, animatedly chatting and smiling. That hurts more than the lack of hugs. Do my kids think I’m that terrible that they can’t be themselves around me?
I grab my keys and make my way to my parents’ house to begin my daily routine. Wake and feed the kids, call the Spook House and make sure Willow is still breathing, check in on my parents for the same reason and make sure they won’t harm themselves while I’m at work, then I work a ten hour day, only to come home and take care of all the things people have a mate for. I am not a singular person with emotions and needs. I was placed on this earth for the sole reason to take care of my children and parents. I am male and female. I am husband and wife. I am mother and father. I am daughter, sister, and parent. I am a walking banker, maid, chef, handyman, servant, nurse, therapist, and teacher… and I am agonizingly alone.
I am the Widow.
Warning: This posting will be a mishmash of a billion little bits of information… and extremely long-winded. I’ll put headers so that you may skip potions you don’t give a damn about. *wink wink* I’m riding through Ohio, destination New York (Groceries, fruit & vegetables :P) & Pennsylvania (Home) So I have a few hours of heading eastbound while glaring into the rising sun to formulate a long blog posting. Oh, and rocking out to my father’s love of Creedence Clearwater Revival, but thank goodness he’s no longer listening to his favorites on Sirius radio. I was about ready to jump from the moving car during Fox News & that eighties rock station. The wickedly bright, and always in my eyes no matter how hard I try to avoid it, sun and I are about to have words. I lost a screw in my glasses & I’m missing my transitions lenses something fierce. DANG, this freakin’ sucks!
Edited Versions of my titles
I’ve been contacted a few times in the past few hours on how to tell which version is which and if it is necessary to reread or what the changes were. Restraint, Good Girl, and Unleashed were edited and uploaded the first week of July. On the title page of these editions it will say their date of publication and their revised editions of November 2012/July 2013 (Restraint & Unleashed) & July 2013 (Good Girl) If you do not have these editions, please go to my account on Amazon, manage Kindle devices, and click to ‘turn on’ automatic updates. The newest edition should upload the next time you sync your device. Or follow the steps above until manage Kindle devices, on the library click the drop down next to the title you wish to update, and click update. You can also access this from the purchase page on Amazon (website only) you may also remove the title from device or archive, and redownload the edition. If all else fails, and it has for a select handful of ppl, please contact Amazon via telephone, and have them ‘reset’ your copy to the newest version. Most copies update, but it is out of my control and totally in Amazon’s hands. I don’t know why some update while others don’t.
The changes per title:
Restraint was lengthened from 70k to 100k. Restraint went through a lot of sentence restructure, formatting, and proofreading. I’ve grown within my craft & I want to make my work the best it can be. Restraint was polished, the scenes were expanded with description, and the storyline was fixed for issues in flow and storyline conflict. The overall premise did not change. If you think you need to reread for other than the enjoyment of beginning the series anew, no fear, there is no need. I realize that a lot of readers hate rereading, while some are like me, finding comfort in a reread. I will not change the storyline of my works unless there is a major conflict that I didn’t anticipate.
Unleashed & Good Girl were slightly lengthened by a few thousand words. I didn’t find as many errors, conflicts, or need to restructure the sentences. They basically received a thorough going over and polish.
As I write new titles, I will be going back to past titles, Dexter is next on my list… and yes, I will be going back to the beginning with Restraint & Good Girl when I finish all of my titles. I foresee me doing this until I find the titles flawless. (which is an impossibility) This also help to refresh the little things in my mind as I write new books within these series. Good Girl was a refresher for Widow, & Dexter will be a refresher before I begin The Hunter, and so on.
Thoughts on reviews:
I thank those who have taken the time to review my works, albeit positive or negative. Either way, obviously my work struck a chord within the reader enough for them to think about the story and take time from their busy lives to write a few sentences or a long review. So thank you.
I do not read reviews on principle. Any review, good or bad, is an emotional drain for me. While positive may fill me with inspiration, negative will undoubtedly demotivate my ass… and I never know if it’s positive or negative. Even a positive 5 star review can be riddled with unintentional landmines.
It’s a vicious cycle to engage in, an addiction. “This person loves me. “This person loathes me.” “OMG, I fucked that up!” By the time I read two or three reviews, I’m hunting up a razor blade (I jest. I’m not a cutter, but you get the point… and in all seriousness, I’ve thought about it before. But through the force of my massive willpower, I’ve abstained)
I have to take a step back from all of the closet backseat drivers (editors) and the people who think they can write my stories better than I can. Word of advice, you can’t. Why do I have the arrogance to say you can’t write my story better than I can? Simple, because it’s MY STORY, and I am the creator of its universe. As far as my grammar Nazis… I’ve grown a lot, and I will continue to grow within all the facets of my craft. Making fun of me when you make similar mistakes in the bashing review is kind of… interesting.
Final words: I am a human being. Just because I put my work out for public consumption does not mean you have the liberty to speak to me in any manner you wish. You do realize what I write, correct? I abhor DISRESPECT! Writer and authors alike are regular people with regular lives. We are all walking in similar directions down different paths. While I love interacting with my readers (I truly do) it is unnerving when some make demands (write it like this, you should have done this differently…) everything within my work is up to my discretion because it’s MY work. I thank you for the input. But no, I will not change who I am to meet whatever expectations you have of me. & yes, this is coming from a location of stress that I feel every time I receive this type of message or email. It’s completely inconceivable why people believe I will kotow to them for any reason, no matter how big or small.
In retrospect, the people in the digital land of the internet are just people, strangers. I liken the criticism and demands to a complete stranger walking up to me on a crowded street and making demands of me. Who wouldn’t be pissed? I have no idea who you are, as you have no idea of who I am. That’s not entirely true. I am an open book: my real name, age, location, and my words bleed upon the page. My point is that until you and I have multiple interactions over a long spans of time, like any relationship, you have no rights to me until you’ve earned it. I’m a very guarded person, I even take great offence when my nearest and dearest place pressure on me. Quickest way to clam me up, make a demand of me.
Note to everyone: It could be anyone on the other side of that user name with a stolen pic as a profile picture. Unless you are a public figure, you have no idea who is on the other side of the computer screen. So yes, the negatives wound me, but then I realize it could be anyone. This isn’t coming from a position of arrogance. Why should I heed words from someone who doesn’t know me, and may be ten years old giving me writing, editing, plotting, and storyline advice? I do not go to your place of employment or your home and follow you around telling you how to do this or that on a subject I know jack-shit about, so don’t come into my home and office through my laptop screen giving me advice about my occupation that you may or may not have any experience with. As bitchy as that last statement is, it’s all about mutual respect.
I will take all advice with a grain of salt, even from my betas and fellow writers. Because, ultimately, I am the one who has to live with my work. After all, it has my real name attached to it, not yours.
Really, think on this… Catfish was not a fictitious story!!! Scary, that!
I love hearing from readers, whether good or bad (not the readers 😉 The comments) Please be respectful, though. I don’t need you walking on eggshell or any shit like that. My self-confidence isn’t make of spun glass, but I am prone to bouts of extreme frustration. I have the ability to look in my mirror and acknowledge my faults. So you can’t say anything to me that I didn’t already know. With this said, go ahead and write me in any media you wish (email, msg, and comments on the website or Facebook pages. Friend my ass, and I’ll accept. Hell, you can write me letters if you wish)
I’ve had a lot of positive interactions with readers, and it’s been a cause of inspiration. M&M of Restraint is Dark and contains very dark themes. I’ve had a lot of abuse survivors contact me, saying I’ve helped them come to terms with their violation. You have no idea how this makes me feel. I want my readers to feel empowered by my work. While I may not write traditional HEA, my characters always end up with a feeling of completion within themselves. Do not give power to your victimizer by dwelling in the past. You are stronger than that!
Within the Playroom series, I dive into substance addiction, and it will be a thread within the series. It is something that has directly affected my life in several way, and I wish to address it. I’ve had a few readers contact me in thanks over writing about something that is usually pushed underneath the rug or dramatized as being fun and carefree. I’m a firm believer in tough love and totally against enabling the abuser. I hope this helps to push readers to change aspects of their lives that aren’t fulfilling them, negative people within their lives included.
Current works in progress:
Widow: a dual narrated storyline between the Widow & the Widower. Clover Webster and Malcolm Mason alternate chapters. Odd chapters for the Widower, & even chapters for the Widow. I’ve read a lot of multiple POV books, and it always confused me when the point of view would shift within a chapter with no real indication, and sometime within the same paragraph. I’ve had to read several paragraphs to gauge who the hell was narrating. Believe it or not, big time authors make this mistake within their books, especially those who have more than 2 narrators. My all-time favorite author is a HUGE offender. She also uses an upwards of 19 narrators (I think that was the final tally on her last published work) within this chaotic mess.
Using my idols are a model on what not to do, I decided that I would ease the transition by giving each narrator their own chapter with headings, so you never need to determine who is speaking/thinking because I told you before you began. Since this is my first foray into the land of multiple POV, I decided to simplify it with only 2 narrators.
Widow is a HEA storyline. One of the strongest romances I’ve written. While not saccharine in the least, with some very strong dark themes, it is pure romance. The Playroom series is my venture to get away from the darkness of The M&M series. There are no billionaires, fanatical storylines, or outlandish lifestyles. The Playroom is real people who have very real issues and kinks. They suffer through daily struggles with rent/mortgages, occupations, families, and children.
Good Girl was the introduction to the cast of characters. I needed it to highlight the playful naïveté of a teenager. It did not end with a cliffhanger or any real resolution because Willow Prynne is a still a child in my eyes. Willow has to grow up before she gets the life she deserves. Willow’s resolution will be within the pages of book 4 of the series. But you will continue to see Willow grow throughout book 2 and 3.
Widow was the perfect nexus for the series. The union of Malcolm and Clover gives us a glimpse of the cast of characters. Yes, I just said the union. There is no secret that they are going to hook up. In the format of romance, the format that I usually hate, mind you, you know from page one how the book will end. It’s why I’m not a fan of romance. I like a mystery. I don’t like knowing that the main protagonists are destined to be together no matter what. But in Widow’s case, it needed to be written as romance. It’s the progression of the characters as they solidify their family that sets up the rest of the series.
Widow is a sensual book. It shows the softer, gentler side of BDSM. In Good Girl, I broke down the barriers of BDSM by showing the playfulness of the lifestyle. I want readers to realize the lifestyle is NOT about abuse, force, or pain. There should always be a choice based on trust. Recently fiction has portrayed the lifestyle with an abusive filter, desensitizing readers to what is really right or wrong. Abuse is not sexy, it’s abuse, and it’s illegal. A personal violation is not romantic, no matter what light you shine on it. It’s assault. You should never allow someone to infringe upon your rights as a human being. I cannot stress this strongly enough!
Yes, I’ve written force and non-consent, but I’ve made sure you see the after-effects of such an event. I’ve shown these events to empower the victim when they survive because life is not pretty. Force is not romance, and it’s not sexy or hot. It may be some people’s kink. But there is a fine line between it being a mutual choice and assault. It’s a choice, both parties always have a choice. Don’t fall into a trap by allowing yourself to see it through a tainted filter. *lecture complete*
Back to Widow… our Widower, Malcolm Mason is the ultimate alpha male who wants to take care of his family. He isn’t abusive because he struggles with his own past. He suffers from skin hunger, and readers will experience the softer, sensual side of the lifestyle through Malcolm.
Widow sets up Wayward. Wayward will be narrated by Augustus Kline, Robin Prynne, and Isis Mason. I want to stress that the narrators do not indicate unions. While the three lifelong friends may find HEA together, you’ll have to read to find out. I’ve grouped my narrators by age and connection. Similar to book 4 with Willow Prynne and Kieren and Devon Mason. It would be disjointed to have narrators of differing ages. To read as a teen/young adult, and then be thrust in the mind of an adult would be discombobulating, especially for me as I write it.
Widow is slated for release on the final week of August. It may be sooner rather than later. Only the muse knows. Currently the book is 75k words in length, and about 3/4th completed. I have no true length on my books. I end them when the story deems it should be ended. However, I do price my books according to length.
I’ve never written a work under 50k, but if I do, here is the pricing guide I always follow.
10-25,000 words: 99 cents
26-40,000 words: $1.99
41-60,000 words: $2.99
61-100,000 words: $3.99
All first in a series will be listed at $3.99, regardless of length. (If shorter than 100k, will be priced less. It’s why Restraint was just raised to $3.99 from its original $2.99. The revision pushed it over 100k) First in a series are also subject to .99 cent sales and free promotions.
101,000+ words: $4.99
Over 150,000 words: $5.99
Omnibus editions & epic length novels over 300,000 words: $9.99.
Only paper editions will ever be over $9.99. Yes, I do plan on paper editions in the near future.
These prices are well under the guidelines that major publishers and independent and self-published authors use. I will never rip off my readers. I know more than anyone how horrible the economy is currently. I’d rather have my loyal fans read my books for next to nothing than go without. My code is to give the reader a lot of content and story for as little price as possible. But a girl has to eat… even if she’s on a diet.
First person present tense:
If you haven’t figured out yet, I’m just writing whatever pops into my mind as it pops into my mind. (Dude, both times I typed pops, POOPS flowed from my fingertips! *snickers) Currently, I see the sign promising Erie Pennsylvania in 40 miles, and my bladder is about to freakin’ burst. Dang you, Venti Caramel Iced Coffee from the Ohio Toll road Starbucks that litter the plazas… But alas, we’ve run out of plazas since we’ve abandoned that road for Ohio’s I-90, which seems very short on rest areas. GONNA PISS MY PANTS! A coffee piss is worse than a beer piss.
So anyhoo… case in point about first person present tense (dude, Fox news just took over CCR L) I write in this tense because it causes the reader to experience the story as it’s happening, like my current pissy pants issue. You’re reading about my predicament as I experience the bulging pressure of a full to bursting bladder.
I can’t write in past tense. I just can’t do it. I hate it when I do a flashback sequence. I also can’t write a 3rd person perspective, either. It also takes me a long time to get into a book that is written that way. I think in the here and now. So the entire time I’m reading about the “saids” and “dids” I’m like, but your dialogue is in present tense. WTF? Yeah, it confuses me and pulls me from the story. I know the norm is past tense. But… yeah, my story, my freakin’ rules! Yes, I’m a dominant personality. You should know this by now.
Plus, that third person makes me feel like a patient at an insane asylum when it’s not written properly. I’m not Ezra Zeitler of the multiple personality persuasion. Like, I’m talking about myself in third person or some shit. You don’t think, ‘she walked into the room,’ when thinking about your own actions. I’m like, “bitch, I sashayed into the room, and everyone was looking at me.”
In case you are wondering… yeah, reviews from first person perspective haters led me to this strange train of thought. *shrugs* You ain’t making me write any differently than I already do. I’ll perfect my craft, but I’m not catering to everyone’s likes. It’s an impossibility. Plus, I really do love reading first person present, so that’s what I write.
WELCOME TO PENNSYLVIANIA. My home state better cough up a freakin bathroom before I wet this leather seat with my coffee piss! OMG! A Rest Area! Thank you baby Jesus! I love you Pennsylvania for the short while before we dip back into New York, my other ridge-running state.
AH! I feel five pounds lighter! Pure bliss! & you wouldn’t enjoy my discomfort and subsequent relief if it wasn’t for the first person present tense writing J
My muse has a mind of her own. After Widow, I may or may not write The Hunter or Wayward. Sometimes as I’m writing a series and I finish one book, the next manifests immediately. Other times I’m able to go between the series with little issue. It’s why I only write 2 series at a time. Any more than that and I would go insane.
I can give you some info on The Hunter, though. I will do my damnedest to get The Hunter released before Thanksgiving. I have some events, sales and such for that time frame, and again at Christmas/New Years because of all the new devices being purchased as gifts. Yeah, it’s a long ways off, but I have to keep a schedule. I want Widow, Wayward, and The Hunter published before then. And it all depends on length. Like with Faithless, which I thought would be a short book. I never know what the book’s length will be until it tells me… so it all depends. We will see!
The Hunter: Cortez Abernathy is experiencing writer’s block, as you learned in several books and the why of it during chapter 105 of Faithless. I want to get away from a parallel storyline, flashback, dream sequences… but I want to give Cort’s perspective of past events without rehashing them to death. Cort’s story is the time frame of after they moved to Misery Castle (KING- ending chapters of Faithless) The reader will be in the present as Cort and company deal with events, but will experience the past through Cort’s newest book, The Hunter. The Hunter is an autobiographical Cortez Abernathy memoir.
Cortez’s book will be more romancy, emotional, and life-changing. It’s not a coming of age story, more of a finding one’s true path kind of story. Cortez is lost. I’ve been strongly toying with an idea, and I’m on the fence. After Widow, for the first time ever, I’m seeking the advice from my betas. What I may or may not do is irreversible, and I don’t want to fuck up my series by acting in haste. No, I’m not offing any major characters (I promise). But it will have far reaching consequences, and I do believe I’m going to do it. Sometimes I amaze myself. *snickers* Yes, you should be very worried!
Warning aside, The Hunter will be very sweet, very emotional, and as gut-wrenching as it is playful and charming. Basically, Cort’s book will be just like his personality!
Silenced: I believe will be a short book, and not because Grant doesn’t have a lot to say… it’s just that his book ties into a more complex book. But I felt it was the right time to set up what Grant has going on. His swagger and naughtiness will be a good palate cleanser between Cortez and Ezra’s emotional torture roller coaster ride from Hell. Grant has some ‘play’ he’s working on to get attention from an unlikely source. Wil kept hinting at this during Faithless. “One step closer, congrats!” kind of dialogue. Plus, Grant is mighty pissed his bedroom romp with Faith was interrupted.
Next up is Integrated (Ezra Holden Zeitler’s book). After that, it’s either Niel or Katya’s book. Yeah, that gives you a hint about what I’m toying with…
What I have planned for this evening: I have a few winners to choose for the rafflecopter giveaway. I also have to send out copies of my books to a prize winner from another giveaway I was a part of. I’m doing laundry out the ass! I have to create a report for the sales for the promo weekend, and I think I will post the first two chapters of Widow (a chapter from both narrators)…
As usual, after a Kindle free promotion weekend: It wasn’t good enough that I gave out thousands of FREE books, ppl must read the rest of the books for FREE as well. Unleashed had a return this morning, now there is a return for Dexter, and I’m positive there will be one for Dalton next… and so on. Now I just checked, and there are two Unleashed returns. Man, it’s amazing how people accidently one-click my books in series order, and manage to return them after reading…. Amazing… absolutely amazing…