Good Girl (FREE 9/19-9/23 ONLY)
Wildly Wedded Wife: (FREE 9/19-9/23 ONLY)
Widow: ($2.99 9/19-9/23 ONLY. $4.99 after)
In honor of the newly released sequel to Good Girl, Widow. For Widow’s Blog Tour & her BIRTHDAY, author Erica Chilson is offering all the books currently in release in the Blended Series at a heavily discounted Rate. Combined, ONLY $3.99 for 1,500 PAGES of angsty twistedness.
Begin your Blended Family epic saga with Good Girl– FREE for a limited time only, July 10th-14th. Follow Willow Prynne as she grows into her own woman, all the while introducing you to the Blended Series’ cast of characters. Willow’s journey is a coming-of-age tale that dives deep into the darkest recesses of a young mind, while maintaining a feeling of growth and hope.
Erica Chilson is all about the balance. To lighten the darkness within Good Girl, Wildly Wedded Wife, the Blended Series first novella, spotlights Bethany & Rory. Only *99 pennies* Cute, sweet, romantic, and enlightening, Beth & Rory take the reader on a wild ride from Auggie’s hedonistic Playroom all the way to Las Vegas- wee… wee… wee…
Widow parallels events in Good Girl, while showing the reader a more mature and different side of the story. Clover Webster & Malcolm Mason are proof that second chances do in fact exist, even when the world is against you. Widow is an emotional journey through all aspects of life, leaving the reader with a sense of hope and redemption for the future. Grab a copy July 10th-17th for $2.99 and save off the regular price of $4.99.
Please visit author Erica Chilson’s Amazon page to buy your copy today at a heavily discounted rate.
Disclaimer: The Blended Series is for mature audiences only. 18+ Contemporary Romance with an erotic twist. Good Girl features bisexual themes and sexual content that some may find disturbing. Drug Use is prevalent, without being Pro-Drug or Anti-Drug. Recreational Drug users and abusers are in our everyday life, and the Blended Series is nothing if not reality. Wildly Wedded Wife contains sexually explicit content, with a scene featuring a wicked male/male sex toll into the Playroom. Widow features sensual erotic themes, guaranteed to leave you jonesing for a sensual massage.
NOTICE: If you already own a copy of Good Girl, and the title page does not list the Revamped edition as February 2014, then you must update your copy before continuing on with the series. The author made major changes to the foundation of the Blended Series. You do NOT have to re-purchase. Please visit *Updated Editions* for details.
Impatient for more from the Blended Series? You don’t have long to wait. Coming late July, Wanton (Blended #2.5), Opal Fischer & Ginny Jamison’s tale, diving deeper into the cast of characters than your average novella. Coming late September, Warped (Blended #3). In Warped, delve into the mind of Devon & Kieren Mason, & Willow & Essie Prynne.
With much appreciation, could you please spread the word of The Blended Series S*A*L*E. Word-of-mouth is an indie author’s bread&butter. For less than the price of a Frappe, you can spend days, if not more than a week, reading 1,500 pages of angsty twistedness. Show your thanks to the author by sharing the sale and leaving an honest review on Amazon & Goodreads.
The wicked Writer sings,“Happy Birthday to me. Happy Birthday to me. Happy Birthday, dear Erica. Happy Birthday to me!” *passes out FREE Kindle copies of Good Girl to her readers as birthday presents*
Curious to see what happened after Good Girl ended, way before other readers get a chance? Are you a blogger or page/group administrator, or just a ravenous fan? Here is your chance to not only read Widow early & for free, but obtain a copy of Good Girl too.
Wicked Reads is organizing a Blog Tour for Widow July 7th- July 20th. & is also providing 10 lucky readers with ARC copies of Widow too!
I hope you will join us!
I’d also love to thank Angela over at Wicked Reads for organizing Widow’s promotions :-*
As always, feel free to email me: email@example.com
As of this morning I hit 200,000 words on Widow. I’m now on the downwards slope towards the ending, where I’m tying all the loose threads from the entire book while adding insight for the books to come.
Since I published Integrated, I took a step back to reevaluate myself as a writer. I am determined to eliminate my bad habits, writing-wise, and slow down. A major thread of Widow is regret, and that is channeled from its author. My biggest regret is rushing a story.
When Good Girl was first published, I was proud of it. I thought it complete. I was wrong. I had written 70% of Widow shortly after Good Girl’s completion. I then took a step back and wrote KING, Faithless, The Hunter, Integrated, Hero, and found myself back to square one with Good Girl.
The foundation of the entire Blended series wasn’t right, which made me rethink all of my choices.
The day I had to delete over 200 pages of Widow… was a sad day, indeed.
Originally Widow began where Good Girl ended- that explosive cliffhanger of a scene that changed their family dynamic. I will prove a point now: Rushing would have killed the book and the subsequent books if I had released it over a year ago. All 200,000 of Widow’s words thus far, are before that end scene. It is the entirety of the book itself, with only a handful of scenes wrapping up the novel. Widow, as it is now, with the way the family’s lives have evolved, would never have been written. Warped would have been dead in the water, unable to be written.
After this major change, Warped will be one of my most challenging books. Picking up with Devon in rehab and showing the aftermath of Widow for the entire Blended family.
I’ve had some flack over Good Girl for a few things, things I wish to address now.
DRUG USE: I’m not advocating it, nor am I preaching about it. I’m showing it from both perspectives, and both are very real. I don’t write fairy tales. Drug and alcohol abuse are very present in our everyday lives. It’s not pretty because it’s reality. If this presses a trigger for you, then perhaps you’ve been affected by it at some point, and you should continue to read to see how I show it from the different angles. If you believe I’m advocating use, then perhaps you should continue to read to find out that is not the case. If you don’t believe drugs are everywhere, and as such, they shouldn’t be in books, then perhaps you are living in a world of your own creation. If you just don’t like reading about reality, then the Blended series isn’t for you, so don’t penalize me for it.
S-E-X: If you are on this earth, you were created through sex. If sex offends you, see above post in DRUG USE about reality. I DO NOT write closed-door romance. Nowhere do I say I do. Everywhere I say I don’t. 2 seconds of research through the reviews or my backlist will inform you that I write contemporary romance, erotic romance, suspense, LGBT, and BDSM. Unless I’m living in an alternate universe, I’d expect those to have sexual situations, and I wouldn’t expect the author to be penalized because of it. To me, it makes about as much sense as buying Science Fiction, reading Science Fiction, and then writing a 1 star review because it was Science Fiction. NOTE: for my deviants, Widow is more mild because of its characters. If you are a long-time reader of mine, you know I don’t write sex-fests.
Length: I’ve had readers complain of the length of Good Girl, with the irony being those same readers complain about spending their hard earned money buying what I call episodic series. (a series of novellas or short stories, all ending with a cliffhanger, forcing readers to wait for what comes next while it’s being written or to buy the next episode to see what happens next) While as lucrative for those authors as it is frustrating for its readers, I am not those authors. As a writer, the only thing I can do is write the way my muse programmed me. For me, a book has a beginning, middle, and an ending, and I will write that book the way it tells me to write it.
Yes, I’ve had cliffhangers. But the ending was to change the POV of the character, optimizing the readers’ experiences by telling the story in the voice best to relay the story. Good Girl was the length it was because it chose its length, ending because it was Clover and Malcolm’s turn to voice their story. Widow is the length it is to give you an entire story from start to finish, where the children will pick up the story to show you a new side in this journey.
As a reader, if long books aren’t for you, that is not my issue. I know there are so many amazing stories being written, and we, as readers, will never read them all. So we rush like kids trying to earn BOOK-IT points for Pizza Hut. But there is no gold star for reading the most books the fastest. I used to rush-read as well, until I realized I was short-changing my own entertainment. Reading isn’t a job; it’s for pleasure. A pleasure we pay for, so the faster you read, the more expensive the hobby. So when I get negative flack for a 700 page book you received for free or for only 99 cents, I get insulted. So if my writing style isn’t for you… I will not change, nor be penalized for it.
3rd person vs 1st person: I’ve heard this one many times: If only Ms. Chilson wrote in 3rd person… usually followed by, the book would be much shorter, and we’d know what so&so was thinking. 1st: I’ll let you know what they were thinking when I want you to know. Otherwise, it ruins any surprises, and I’m all about the surprises. Second: Well, that’s great that you enjoy 3rd person, but Ms. Chilson is the one who has to write the book. Ms. Chilson doesn’t write 3rd person. She also isn’t a fan of 3rd person narratives.
As a reader, you can choose what you read. As a writer, you CAN’T choose what you write.
This works for both my reading and writing styles: I must become one with the narrator, so 1st person present tense draws me into them. An overview isn’t intimate enough for me to connect with the characters. I’m in too many characters’ heads, and not deep enough. There is no deep connection when the internal monologue is disconnected from the readers. Also, past tense confuses me. I feel like saying, “I’m reading this RIGHT NOW, but it’s past tense.” I want to be walking around with the character, not hearing about how they walked around five minutes ago or ten years ago.
We all read differently because we are different people. Since I am the one writing the book, I can only write it the way I write. To each their own. To the joys of individual expression. *cheers*
Long story short: expect Widow to be a 700 page book in 1st person narrative in the present tense. Whether you find that boring, drawn-out, is not my issue. There are no unnecessary scenes written as filler in these pages. I don’t have time for that, not with all the characters screaming in my head. No shopping trips, car rides, or incessant decorator or fashion descriptions. Every scene is to propel the story or character development. There will be no doubting who the characters are on a soul-deep level. You, as the reader, will be able to predict their future actions as if they were your own. Why? Because I’ve bared their souls to you while you read, connected you, through the 1st person, present tense narrative.
Angry diatribe complete!
In other news. Widow will be released mid-June. Angela is organizing a Blog tour for Widow’s release, with ARCs for both Good Girl and Widow for review, as well as a Blitz and cover/blurb reveal. (All foreign language to me) So if you wish to join the fun, I’ll post the information when it becomes available.
As of mid-June, I will have publish 1,500 pages in the first half of 2014. I am stepping back again, reevaluating how Warped should proceed. In my leisure, I will be editing the M&M series, as well as writing a novella titled Wanton. Wanton is a (for Amber, who requested a BBW) BBW Lesbian romance centered around two females in Blended’s cast of characters. I will release the details on this title after Widow’s release. This book is my version of a test- a test to see if I can write about two people, centering the entire book around their connection, and manage to fit it into 120 pages or less.
Gauntlet thrown down: the Deviants over at M&M of Restraint don’t think I can do it. Anyone who reads my books knows I’m a challenge-taker. I’ll do it because you guys think I can’t, whether said in jest or not (I wasn’t offended. First, it made me laugh, and then it made me get down to business. As I end Widow, that novella has been writing itself in my head)
Off to finish Widow’s draft in the next week or so, and then the betas will work their magic while I put my editor hat on… and then things get really serious.
Katya Waters is aging gracefully, as her book has reached its 2nd year in publication milestone. If you’re a fan of the Mistress & Master of Restraint Series, tell your friends about this limited-time discounted rate of 99 pennies: April 23-30th only. Mistress & Master of Restraint Series is filled with dark twists and suspense-filled plots that keep you guessing and hungry for more. Restraint is book #1 of the 11 books currently in release.
Good Girl is Restraint’s less dark, but no less twisted, little sister. The debut in the contemporary/erotic romance Blended Series is free for a limited-time only: April 24-28th.
This birthday promotion is the best way to take a chance on author Erica Chilson, the Wicked Writer, without wasting a penny. Sample her writing style by delving in, and experience her warped sense of emotional torture while shining a bright light of hope within the shadowy darkness, promising a brighter future for her characters.
***Check price before you one-click***
Restraint: .99 cents 4/23-4/30
Save $3.00 on this 300 page wicked read by buying today.
Good Girl: FREE 4/24-4/28
Discount price at 99 cents in anticipation of its sequel, Widow, list price will be $4.99 as of July. Save $4.99 by downloading this 700 page saga for free today.
***Support Indie Authors by sharing promotions, and reading and reviewing. & Most importantly, word of mouth, by telling your book buds about this amazing steal***
Question: Do you find your reading tastes evolving as your life changes? (not that any genre is better than another, just differing from before). Please answer this for me via the comments on this blog, email at firstname.lastname@example.org or M&M of Restraint closed group on FB. My curiosity is getting the better of me. I want to know if I’m somehow… broken.
My long-winded answer, with a side of defensiveness over some comments over Good Girl NOT being Erotica: (must never read another comment or review, because to me it’s like telling a mother her kid is homely. I’m sick of explaining myself, as if I have a reason that I should be defensive. My book. My rules)
As a child, I was a reluctant reader. My teachers were beside themselves because I didn’t want to read ‘Clifford the Big Red Dog’ or other books children my age thought were entertaining. I looked older than I was, and apparently I thought older than I was as well. This was decades ago, way before Kindles and ebooks. Books for the tween-aged girl were The Baby Sitter’s Club or the classics. Easily bored, it took a lot to entertain me and keep me engaged- still true to this day. My parents were at a loss, so that is when I received my first magazine subscription in my name at age 8: Mad Magazine. <- My father’s idea. 😉 Somehow he knew I’d turn out to be a closeted pervert who thought violence was humorous. “Spy vs Spy”
When I began reading novels at 10 years old, I read VC Andrews and Stephen King. Horror, mystery & suspense, with a side of sex, was the only thing that would capture my attention. Too mature for most kids my age, I’m sure. I’m no worse for wear, but highly well-read. Mom wouldn’t budge on Anne Rice, though. If a stranger had found my library card, they would have thought I was a grown woman. Good thing the librarian was my aunt and didn’t bat an eyelash at my selections. I never really thought about that until now… what did my aunt think? “Strange Kid,” I bet.
My early 20s were dedicated to VC Andrews and Oprah’s book club selections. In my late 20s through early 30s, I read Urban Fantasy and Paranormal Romance. Yes, you can thank the over-criticized Twilight to that obsession, and I’m not ashamed. It’s still one of my guilty pleasures.I was entertained; what more can I say?
For some reason I’ve yet to explore, I moved onto Dark Erotica, mixed with Young Adult as a palate cleanser. This is when I began writing. Although I was leaving UF & PNR behind, my first book was UF, and that’s why it’s my first book- the shelved Chrysalis that may never see the light of day. My second attempt was a mix of BDSM and Crime.
Restraint was a whim that I thought would never come to fruition, and less than 3 months after I started writing it, it was published. Obviously after this I read many books in the Dark Erotica and Erotica genres. Yes, I wrote Restraint way before I ever read a book it would be classified alongside. For me it was about control, and the lack of control I felt over my life, and had absolutely nothing to do with sex. Sex was just a metaphor to express how trapped I felt. While I had to categorize Restraint as Dark and Erotica because of its explicit nature, it was never smut. Never sex for the sake of sex. It was human behavior- a cerebral fucking.
Good Girl was another precipice in my life. A hybrid of contemporary and non-sexual BDSM(control over your own life and actions) with playful sex added into the mix. I was no longer reading Erotica or Dark Erotica. I’m not sure why my tastes have changed yet again. But I can’t read this type of book, and I haven’t for almost two years now. When readers recommend books that are in a similar genre as my own, I try, truly try, to read them. But I can’t. My tastes are now story-driven. It’s why I always liked YA so much. I want 100% story with amazing chemistry between well-fleshed-out characters, not 10% story with repetitive sex. Once sex is introduced, I get bored and check out, or want the story to end.
While many enjoy this: the following statement is about what I enjoy. You can debate me if you wish, but this is about personal preference and how it affects my writing style. What is sex without buildup? If it’s just input a character name here, put peg A into slot B, it doesn’t hold my attention. A hot, smooth talking dude just makes me groan. Give him some kickass name that I think is beyond ridiculous, make him heavily muscled, borderline abusive, and without any true characteristics, add a whiny woman without any self-respect, and make them screw in between 5 pages of storyline, and then screw again and again and again. Maybe add another cookie-cutter character into a menage. Don’t forget to add the Baby/Babe. Sorry, no! I can’t swallow it. I just can’t.
I understand the appeal of smut, why readers long to read it. It just doesn’t hold any appeal for me. Erica longs for… more.
In real life, that same douche wouldn’t do a thing for me, either. If he’s the abusive ass, I’d find him as an abusive ass. If he flashes me a bullshit grin… charm to me is false, lies, and highly annoying and predicable. To me it’s like small talk- I don’t have time for that waste of time… I am nothing if not serious. Debate me; that will get me hot and bothered, or just bothered. But either way, you’ll get an honest reaction out of me vs polite bullshit uttered out of social obligation.
When I read a book, I want to be left wounded, raw. I want real- real in all its glorious, pain-filled flaws. I want my emotions warped until I feel what the character is feeling, until the character becomes a true entity, and that is what I hope I achieve with my writing.
So now I find myself reading cheesy Historical Romance. Why? Why the hell would a woman who writes the M&M Series read about that era, an era that goes against her core belief system with its maltreatment to women? Easily answered: because it’s the same as when she was a child; Erica wants to read the opposite of her situation. She wants anti-reality. I’m also reading contemporary. Why you ask: because Erica also wants to read about reality. The mind that creates stories is complex enough to have to read varying genres to fight ennui.
Never fear: nothing will EVER inspire me to write historical. I love it, but just like novellas and short stories, I couldn’t write it if my life depended on it.
What does this mean for my writing future: I don’t know. M&M holds my undivided attention because it is so involved, twisted, character-driven. And as you can see from earlier books in the series vs later books, I refuse to add sex for the sake of sex. Any and all sex is to drive the story.
So I find myself with some negativity on Good Girl, not only for the addiction theme, but for the lack of erotica. Nowhere do I list this book as a sex-fest. I know readers do like smut, and I have nothing against it. I do not enjoy smut, so therefore I cannot write smut. So to negatively rate Good Girl because you are judging it against M&M or books in differing genres, is ludicrous. Good Girl, the Blended series, is NOT erotica, so to judge it against erotic is like judging Harry Potter against Fifty Shades. While Good Girl has sexual situations and themes, because real life has those, it is not a sex book. Never was, never will be, and I will make no apologies for it either. Other books in the Blended series, the sex will vary by the character. I’m not cookie-cutter. My characters are complex and different than the others. One book will not be a repeat of the last with the names and locations changed.
Is there anything I haven’t written? Any line I’ve refused to cross? I can understand why M&M readers would be blindsided by… borderline normal in Blended, but that doesn’t change a dang thing. I am the immovable object, and the only unstoppable force I will ever concede to is my own mind. Negativity will NEVER get me to move. It will only get me to become even more unbending. I’m always baffled by some comments and emails I get. My characters are dominant being. Who do you think created them? Exactly.
While many of my hardcore M&M fans will NOT enjoy Good Girl, the small following of Blended fans will NOT like Restraint. Why, you ask: because Erica Chilson is not a one-trick-pony. I have the capacity to write differing genres with equal fervor. I can write both, and I don’t ask my readers to read both. I’m good with two separate followings with a group of readers that straddle the genres. Just as my tastes have evolved over time, my writing does as well. Just as I was as a child, I am easily bored. I need both anti-reality and reality to keep myself interested… and an interested Wicked Writer writes better books than a writer that feels pressured into writing what readers want.