**I just spent the last three days in the car, riding from Pennsylvania to New Mexico, desperately searching for a book to hold my interest. That is the emotion behind this blog posting- pure frustration mixed with bitter disappointment*
A plea to my fellow wordsmiths from the reader in all of us.
I spend a great deal of time in analytical-mode, observing others for their actions and reactions. I do this to perfect my character development. Lately, I’ve had a difficult time reading anyone’s books but my own because of ‘character lobotomies.’
I’m not just speaking of Indie or traditionally published authors. I’m speaking of BOTH!
Like actual human beings: age, gender, personality traits, emotional baggage, and careers should drive your character’s actions. The hardest thing for me to swallow when reading: characters acting out of character. The dumbass or helpless female disease. Many a doctor, lawyer, or other professional women, with 8+ years of higher education and an analytical mind with a ‘take no prisoners’ attitude, turn into dipshit, teenaged girls in these books.
“I know this is a bad idea, but I’m gonna do it anyway. So there!” *sticks tongue out like a petulant five-year-old child when in actuality is a 35-year-old professional* “Aren’t I cute and funny? Hehe!” *Looks like the first to die in a horror flick.* “Oh, shit, I shouldn’t have done that. Gonna get hurt now unless some manly man rushes in to save me.”
Erica rolls her eyes, threatens to smash her Kindle, and puts the author on the long list of DNF & ‘never-going-to-read-a-word-you-write-again.’
Authors: you have your characters thinking one thing in their internal monologue and reacting in an opposite fashion. This seems to be the norm today, along with insta-love.
Why this diatribe today? Well, I was reading a book I thoroughly enjoyed, and then it was lobotomized. Personally, the short backstory was the key to my interest. I would have rather read that instead. It was hard-hitting, engrossing, and worthy. Instead of expanding on the story to create a solid foundation, the author went ahead and made it about insta-love. I say it’s a cop-out. Write the story out, and quit selling me phony romance without a backbone or foundation.
There is something to be said about intensity, chemistry, and tension.
In so many books today, the protagonists meet, and then it’s instant attraction and… *shudders* L-O-V-E? Really? Seriously? Love? What happened to lust?
It takes time to build a foundation of love, one that is only made over time, over interaction, over emotional attachment. This is never built over sex- never, ever. If you believe this phony bullshit, you’re probably addicted to the high of ‘new love’, or as it’s better known, infatuation.
9 times out of 10, this occurs. I realize in order to properly show the time it takes to develop a real relationship, the readers would be bored out of their skulls. But to ‘tell’ me versus ‘show’ me WHY they fit as a couple, is taking the easy way out, and a detriment to your story. Lastly, not everything has to be about sappy romance or hot sex.
No, it doesn’t.
Because if all you have is sappy romance and hot sex without any real story behind it, then it’s forgettable and a dime-a-dozen, and personally, the sex is just flat.
I expect certain things out of a book. In YA or NA, I expect the girls to do something stupid, since they are, in essence, children. They are without the experience of life, the growth to make sound decisions. But in those novels, the females act older, wiser. They save the world in Fantasy and Dystopian novels, or live on their own while their wayward parents are off living their life somewhere else, acting criminally for leaving their underaged children alone for long periods of time.
I found the missing and idiotic parents to our YA heroines and heroes in Contemporary romance/erotica novels. In today’s contemporary romance and erotica genres, you have 25+ year old females acting the way those in the YA & NA should have been behaving. How do you explain this shift? Why do our younger readers get strong role models and our adult readers get “Too Stupid to Live” females who give all women a bad name?
One book that will forever stick in my mind, a female doctor, highly intelligent, acting like a twelve-year-old in heat, pranking hospital faculty. They took an oath to save lives, and the author is making light of this highly intelligent character with slap-stick, over-the-top bullshit for the sake of comedy. For me, it’s not funny if you’re trying too hard. It’s just freakin’ annoying.
Next up, the hotter than blazes Mary Jane. MJ’s internal monologue is something like this, “Woe-is-me.” “I’m 35 and no one wants me.” “I’m shy and quiet, and my last boyfriend was mean to me.” “I don’t trust men.” The author usually writes one, more often two or three, hot guys sniffing at MJ’s tail. & in their POV, they find MJ the most gorgeous creature, engrossing in conversation, and completely sounding like MJ in their minds. Add, “I’m fat.” “I’m ugly.” “I’m boring.” Yet these women are goddesses in the hotties’ eyes.
I get the realism of using everyday women, and the fantasy of being wanted by 5 hot rockers or billionaires, or what have you, but it’s an insult to my intelligence… and freakin’ annoying to boot.
Next up, these Gods among men, who are starve-gutted for plain Mary Jane, mysteriously sound, act, and react like a woman… or a douchebag. Never an in between. Then douchebag gets pussy-whipped by MJ, and then his internal monologue becomes just as hers. Without fail.
If I’m reading a male’s POV, I expect him to act, react, and sound like a dude from page one to ‘the end’. A guy in love is still a guy, not a girl who is wielding a penis aimed at our damsel-in-distress. If the girl can’t save herself, her male clone shouldn’t be able to save her, either. Right?
Candy at the Van Predators versus Streetwise, Badassed Bitches.
As I said, these intelligent, streetwise, or take-no-prisoners women always have a baggage-filled backstory (which I love, and I always wish the authors would write that instead of the fluff-filled romance piece they publish). Today’s woman slept in a shelter with a knife in her hand to save her pitiful belongings. She’s on the run from an abusive ex. Meets a guy by happenchance (always is the case, right? Gotta love fate!), and trusts this new stranger infallibly. Character trait lobotomy, anyone? This is without fail, always, and was so difficult to swallow that I was furious.
So then the dude starts in on possessive shit, and she shrugs it off, ‘cuz you know, it’s NOT like she doesn’t recognize the signs after being abused. He’s hot. *shrugs* He wants her mousy ass. *shrugs* I’m sure he’s a good guy, even if he’s telling her what to do after a handful of words, and now looking, touching, and breathing on her in a way that makes her girly parts tingly. *tingling so intensely I wonder if she has feminine itch*
It’s been 12 hours, in which she lost a job, gained a job, cried, gained an apartment and money, did all the necessary body functions, spoke less than 100 words to this dude (none of them of any real substance) but has looked at, and been looked at by, this insanely HOT dude, so all her reasoning skills and intelligence just flee her mind to pool at her itching stranger-danger zones. She’s been super busy, dang it! I’m exhausted for her just by writing the sequence of events out. (I know I can’t get THAT much done in 12 hours- oh, she slept too!) (She puts the Super in “HERO”ine) She’s spent maybe an hour in this dude’s presence, but now she thinks she loves him, and his POV is thinking the same about her, too…
Awww… how sweet, and toe-curling, and sexy… I hope they make cute babies on their first time, because that’s the rational thing to do.
Are you freakin’ kidding me? Seriously?
(I’m not making fun of just this book, since the 7 I tried to read in the past 24-hours have followed this same formula)
I’m not a feminist, but this pisses me off. & more often than not, all women are depicted as dumbassed bitches while spouting how intelligent, streetwise, and gun-shy they are. Trust? What’s that? It’s called following strangers around, and then letting them touch the places your parents warned you about without having something called a conversation first. *growls in fury*
But it’s love at first sight, right?
No, sweetie, it’s a thing called lust.
How about the author creates some sexual tension by NOT having the characters have sex and fall in love in the beginning of the book (both of which spells out ‘THE END’ for me) Build to the moment without giving into instant gratification and ploys. If you wrote a douchebag, have him douchebag it up for ½ of the book (love/hate, sexual frustration and tension) with a ¼ for redemption, and the last ¼ for ‘THE END’.
Don’t give me the meat before you even scoop the serving of potatoes on my plate, after completely bypassing the salad. We are a generation of dessert eaters when I still want to digest the whole, entire meal.
Book after book, after book, after book, after book, in an endless stream of sameness- a sameness I cannot stand.
I understand there is a guideline to each genre, a formula to follow, but c’mon! Don’t ruin your well-thought-out story by following the herd. The incredible story you briefly mentioned, as a way to introduce your character so she could get acquainted with the nearest mattress, IS the story you should be telling. Not some mediocre, dime-a-dozen, formulaic clone of all the rest.
I read like an editor, and I’m not speaking of grammar rules, even though we all break them. I read a book like an editor, reading it in a way to FIX it, develop it into something more. It’s this quest that has me looking at my books with clear eyes, longing to better them for the reader. A quest I will soon be embarking upon for the Mistress & Master of Restraint Series. I don’t follow the herd. I don’t write for my readers. I challenge myself to write a better book than my last, to remove the ‘character lobotomies’ from the storyline, to write with true substance, to evolve the chemistry, the lust, the intensity of the characters’ romance.
I keep trying to read, trying to finally reach that intoxicating feeling where if disturbed I’d knife the asshole who broke me from the story… but I can’t find that plane of existence any longer.
I need more, and dear Author, I want YOU to give it to me!
Widow, Blended #2, Blog Tour Stops and Dates. Please visit for excerpts, teasers, and reviews.
~Thank You for hosting Widow’s Blog Tour~
!!A HUGE THANK YOU to ANGELA & Wicked Reads for organizing the tour!!
In honor of the newly released sequel to Good Girl, Widow. For Widow’s Blog Tour & her BIRTHDAY, author Erica Chilson is offering all the books currently in release in the Blended Series at a heavily discounted Rate. Combined, ONLY $3.99 for 1,500 PAGES of angsty twistedness.
Begin your Blended Family epic saga with Good Girl– FREE for a limited time only, July 10th-14th. Follow Willow Prynne as she grows into her own woman, all the while introducing you to the Blended Series’ cast of characters. Willow’s journey is a coming-of-age tale that dives deep into the darkest recesses of a young mind, while maintaining a feeling of growth and hope.
Erica Chilson is all about the balance. To lighten the darkness within Good Girl, Wildly Wedded Wife, the Blended Series first novella, spotlights Bethany & Rory. Only *99 pennies* Cute, sweet, romantic, and enlightening, Beth & Rory take the reader on a wild ride from Auggie’s hedonistic Playroom all the way to Las Vegas- wee… wee… wee…
Widow parallels events in Good Girl, while showing the reader a more mature and different side of the story. Clover Webster & Malcolm Mason are proof that second chances do in fact exist, even when the world is against you. Widow is an emotional journey through all aspects of life, leaving the reader with a sense of hope and redemption for the future. Grab a copy July 10th-17th for $2.99 and save off the regular price of $4.99.
Please visit author Erica Chilson’s Amazon page to buy your copy today at a heavily discounted rate.
Disclaimer: The Blended Series is for mature audiences only. 18+ Contemporary Romance with an erotic twist. Good Girl features bisexual themes and sexual content that some may find disturbing. Drug Use is prevalent, without being Pro-Drug or Anti-Drug. Recreational Drug users and abusers are in our everyday life, and the Blended Series is nothing if not reality. Wildly Wedded Wife contains sexually explicit content, with a scene featuring a wicked male/male sex toll into the Playroom. Widow features sensual erotic themes, guaranteed to leave you jonesing for a sensual massage.
NOTICE: If you already own a copy of Good Girl, and the title page does not list the Revamped edition as February 2014, then you must update your copy before continuing on with the series. The author made major changes to the foundation of the Blended Series. You do NOT have to re-purchase. Please visit *Updated Editions* for details.
Impatient for more from the Blended Series? You don’t have long to wait. Coming late July, Wanton (Blended #2.5), Opal Fischer & Ginny Jamison’s tale, diving deeper into the cast of characters than your average novella. Coming late September, Warped (Blended #3). In Warped, delve into the mind of Devon & Kieren Mason, & Willow & Essie Prynne.
With much appreciation, could you please spread the word of The Blended Series S*A*L*E. Word-of-mouth is an indie author’s bread&butter. For less than the price of a Frappe, you can spend days, if not more than a week, reading 1,500 pages of angsty twistedness. Show your thanks to the author by sharing the sale and leaving an honest review on Amazon & Goodreads.
The wicked Writer sings,“Happy Birthday to me. Happy Birthday to me. Happy Birthday, dear Erica. Happy Birthday to me!” *passes out FREE Kindle copies of Good Girl to her readers as birthday presents*
Erica Chilson is doing a Beta Reader Drive, looking for enthusiastic readers willing to beta read. The Beta Reader Drive will run until mid-August-through-early September.
Signup form for Erica Chilson’s beta readers. Please fill out the form below with the necessary information, and await a response from the author. (Beta drive runs through mid-August/early September, in preparation for the M&M Series rewrite & Warped (Blended #3)
Applicant is NOT required to be a reader of Erica Chilson’s previously published works. The author is re-editing all of her works before republishing in ebook form and in print.
Erica Chilson writes in several genres, meaning she needs a variety of beta readers willing to read specific types of stories. The author is looking for a group of betas, who she will choose between depending on the type of book to be beta read, as well as the content within the story. Also, betas have lives, and Erica doesn’t wish to tax her betas on a continual basis, attributing to her need to have a revolving team of beta readers.
***You do *NOT* have to be a proofreading genius or editor to apply***
Erica Chilson stresses that beta reading is about the R-E-A-D-I-N-G. She is looking for readers of all types to spot different things. We all read a book differently than our fellow readers. She is specifically looking for anything that is jarring, tearing the reader from the story. If your strong-suit is proofreading, GREAT. If not, GREAT TOO! Everyone has strengths and weaknesses.
Erica Chilson is **NOT** looking for an editor. Please be respectful by NOT editing the author’s work. Pointing out errors in grammar, punctuation, run-ons, awkward sentence structure, redundancy, discrepancies in timeline, and character trait lobotomies is what beta reading is about.The author is NOT looking for word-by-word, line-by-line sentence restructuring and editing, since Beta Readers are not professional editors. This leads to the ‘voice’ of the story no longer sounding as the characters and the author herself.
***DON’T OVER-COMPLICATE THE BETA PROCESS***
Erica Chilson thanks you for your time and your interest in becoming a member of the Wicked Writer’s Betas.
I knew from day-one that my titles would be pirated eventually, and they have been since early on. I was passive about piracy, knowing it impacted my sales yet hoping it would draw in true readers. I likened the piracy to a twisted library of sorts. I purposefully left off the DRM from the first few titles in my series, and then put a DRM on the later titles. My stance, “Here, have a copy. I hope you get hooked, and then pay for the rest.”
With that saying, I know from reviews on whether or not it’s a pirated copy. As I said, I was pirated from early on with Restraint, and that Restraint no longer exists. I don’t even have a copy. Yet two years and some change later, readers are still reading, judging, and reviewing me based on the edition of a book that sold fewer than an hundred copies… so what are the odds you purchased the ‘extinct‘ Restraint and it took you 30 months to review it? I’m no statistician, but I’d say the odds are next to none, considering the tens of thousands it’s sold in its current form.
My warning to pirates: You may not be reading the book in its actual form, and when you review it as such, you are caught. But not only that, you are missing out on what the book evolved into, ruining and confusing you when you read the subsequent books in the series. & that is a pity and a shame for the reader, the author, and most importantly, for the purity of the story itself.
Why am I writing this blog posting? Several times over I’ve been contacted about my books not only being pirated, BUT SOLD. Yes, SOLD by PIRATES.
If you want to read my book for free, then by all means, get it from a piracy site. I’m not being facetious. I’d rather you get it for free than pay your hard-earned money to my pirate. But if you pay that fuckerfucking pirate, damn you to HELL!
The authors listed on this site CREATED THE STORY FROM NOTHING. WE SPENT THOUSANDS OF HOURS PLOTTING, WRITING, EDITING, DELETING, EDITING, WRITING, POURING OUR SOULS OUT ON THOSE PAGES, LISTENING TO CRITIQUES FROM BACKSEAT EDITORS, READING BULLYING REVIEWS, GETTING SHIT FROM READERS WHO LOATHED THIS OR THAT. WE EARNED THE RIGHT TO BE PAID, NOT SOME BASTARD, ASSHOLE OF A PIRATE!
If you want my book for free, fucking contact me and I will send one to your Kindle. But to pay the pirate for OUR HARD WORK, MAKES YOU AN EVEN BIGGER ASSHOLE!
I work no less than 12 hours a day to earn 30 cents on the buck, to where I then pay the government a third of that. As an indie author, I then make 20 cents on every dollar I sell, but out of that I have to pay for business expenses: laptops, software, cover images, cover artists, (I’d pay an editor, IF I COULD AFFORD IT). WHO THE FUCK COULD LIVE OFF THAT? & I LITERALLY WRITE ENDLESSLY, AS YOU ALL KNOW, JUDGING BY THE 1,500+ PAGES I’VE PUBLISHED IN THE FIRST HALF OF 2014
To have my work not only stolen but resold… you have no idea how disheartening of a sensation this is, or how much fury is coursing in my veins. BECAUSE I’M FOLLOWING THE FUCKING RULES, THE LAW, PAYING TAXES ON MY WORK, AND THEY ARE NOT!
FYI: Plead ignorance all ya want, but if you are ‘purchasing’ from a dealer no one has ever heard of, you know what’s up. If you are a reader, you know who the major retailers are, or you buy straight from the publisher. If it looks hinky, it is.
FYI: NEVER HAVE I EVER published a PDF of my work. If the copy you are reading is a PDF, it wasn’t from me!
FYI: I lowered the price on Restraint to 99 cents for this exact reason. Now I’m under-bidding my pirate selling asshole friends who are bilking the ignorant and the criminal out of $1.50 a copy.
FYI: I’ve given tens of thousands of copies of Restraint and Good Girl away for free, and will continue to do so along with my ‘honest’ pirate friends. If you’re the honest sort, you’ll be out 99 cents for 700 HUNDRED PAGES of my hard work. You can either get it for free during Amazon promos or from a pirate, pay ME FOR MY HARD WORK, OR pay some asshole pirate who is laughing at you all the way to the bank.
Now if this just doesn’t make a person want to say the hell with it all, and cut their losses, I don’t know what does! It’s a spit in the face. I feel like I’m in an uphill battle against an unmovable army. I’m selling more books than ever and only getting paid half of that because I’m literally giving my books away for Free.
I want to know your reaction when you go into work tomorrow morning and your boss tells you how you have to work the next six months of your life, an upwards of eighteen hours a day, and NOT get PAID! You could live on that, right? You could deal with that, right? How about then your boss takes your earnings and gives it to some asshole criminal- all of it. And then your boss makes YOU pay the taxable income on what that asshole stole. Yeah, chew that over.