Question: Do you find your reading tastes evolving as your life changes? (not that any genre is better than another, just differing from before). Please answer this for me via the comments on this blog, email at email@example.com or M&M of Restraint closed group on FB. My curiosity is getting the better of me. I want to know if I’m somehow… broken.
My long-winded answer, with a side of defensiveness over some comments over Good Girl NOT being Erotica: (must never read another comment or review, because to me it’s like telling a mother her kid is homely. I’m sick of explaining myself, as if I have a reason that I should be defensive. My book. My rules)
As a child, I was a reluctant reader. My teachers were beside themselves because I didn’t want to read ‘Clifford the Big Red Dog’ or other books children my age thought were entertaining. I looked older than I was, and apparently I thought older than I was as well. This was decades ago, way before Kindles and ebooks. Books for the tween-aged girl were The Baby Sitter’s Club or the classics. Easily bored, it took a lot to entertain me and keep me engaged- still true to this day. My parents were at a loss, so that is when I received my first magazine subscription in my name at age 8: Mad Magazine. <- My father’s idea. 😉 Somehow he knew I’d turn out to be a closeted pervert who thought violence was humorous. “Spy vs Spy”
When I began reading novels at 10 years old, I read VC Andrews and Stephen King. Horror, mystery & suspense, with a side of sex, was the only thing that would capture my attention. Too mature for most kids my age, I’m sure. I’m no worse for wear, but highly well-read. Mom wouldn’t budge on Anne Rice, though. If a stranger had found my library card, they would have thought I was a grown woman. Good thing the librarian was my aunt and didn’t bat an eyelash at my selections. I never really thought about that until now… what did my aunt think? “Strange Kid,” I bet.
My early 20s were dedicated to VC Andrews and Oprah’s book club selections. In my late 20s through early 30s, I read Urban Fantasy and Paranormal Romance. Yes, you can thank the over-criticized Twilight to that obsession, and I’m not ashamed. It’s still one of my guilty pleasures.I was entertained; what more can I say?
For some reason I’ve yet to explore, I moved onto Dark Erotica, mixed with Young Adult as a palate cleanser. This is when I began writing. Although I was leaving UF & PNR behind, my first book was UF, and that’s why it’s my first book- the shelved Chrysalis that may never see the light of day. My second attempt was a mix of BDSM and Crime.
Restraint was a whim that I thought would never come to fruition, and less than 3 months after I started writing it, it was published. Obviously after this I read many books in the Dark Erotica and Erotica genres. Yes, I wrote Restraint way before I ever read a book it would be classified alongside. For me it was about control, and the lack of control I felt over my life, and had absolutely nothing to do with sex. Sex was just a metaphor to express how trapped I felt. While I had to categorize Restraint as Dark and Erotica because of its explicit nature, it was never smut. Never sex for the sake of sex. It was human behavior- a cerebral fucking.
Good Girl was another precipice in my life. A hybrid of contemporary and non-sexual BDSM(control over your own life and actions) with playful sex added into the mix. I was no longer reading Erotica or Dark Erotica. I’m not sure why my tastes have changed yet again. But I can’t read this type of book, and I haven’t for almost two years now. When readers recommend books that are in a similar genre as my own, I try, truly try, to read them. But I can’t. My tastes are now story-driven. It’s why I always liked YA so much. I want 100% story with amazing chemistry between well-fleshed-out characters, not 10% story with repetitive sex. Once sex is introduced, I get bored and check out, or want the story to end.
While many enjoy this: the following statement is about what I enjoy. You can debate me if you wish, but this is about personal preference and how it affects my writing style. What is sex without buildup? If it’s just input a character name here, put peg A into slot B, it doesn’t hold my attention. A hot, smooth talking dude just makes me groan. Give him some kickass name that I think is beyond ridiculous, make him heavily muscled, borderline abusive, and without any true characteristics, add a whiny woman without any self-respect, and make them screw in between 5 pages of storyline, and then screw again and again and again. Maybe add another cookie-cutter character into a menage. Don’t forget to add the Baby/Babe. Sorry, no! I can’t swallow it. I just can’t.
I understand the appeal of smut, why readers long to read it. It just doesn’t hold any appeal for me. Erica longs for… more.
In real life, that same douche wouldn’t do a thing for me, either. If he’s the abusive ass, I’d find him as an abusive ass. If he flashes me a bullshit grin… charm to me is false, lies, and highly annoying and predicable. To me it’s like small talk- I don’t have time for that waste of time… I am nothing if not serious. Debate me; that will get me hot and bothered, or just bothered. But either way, you’ll get an honest reaction out of me vs polite bullshit uttered out of social obligation.
When I read a book, I want to be left wounded, raw. I want real- real in all its glorious, pain-filled flaws. I want my emotions warped until I feel what the character is feeling, until the character becomes a true entity, and that is what I hope I achieve with my writing.
So now I find myself reading cheesy Historical Romance. Why? Why the hell would a woman who writes the M&M Series read about that era, an era that goes against her core belief system with its maltreatment to women? Easily answered: because it’s the same as when she was a child; Erica wants to read the opposite of her situation. She wants anti-reality. I’m also reading contemporary. Why you ask: because Erica also wants to read about reality. The mind that creates stories is complex enough to have to read varying genres to fight ennui.
Never fear: nothing will EVER inspire me to write historical. I love it, but just like novellas and short stories, I couldn’t write it if my life depended on it.
What does this mean for my writing future: I don’t know. M&M holds my undivided attention because it is so involved, twisted, character-driven. And as you can see from earlier books in the series vs later books, I refuse to add sex for the sake of sex. Any and all sex is to drive the story.
So I find myself with some negativity on Good Girl, not only for the addiction theme, but for the lack of erotica. Nowhere do I list this book as a sex-fest. I know readers do like smut, and I have nothing against it. I do not enjoy smut, so therefore I cannot write smut. So to negatively rate Good Girl because you are judging it against M&M or books in differing genres, is ludicrous. Good Girl, the Blended series, is NOT erotica, so to judge it against erotic is like judging Harry Potter against Fifty Shades. While Good Girl has sexual situations and themes, because real life has those, it is not a sex book. Never was, never will be, and I will make no apologies for it either. Other books in the Blended series, the sex will vary by the character. I’m not cookie-cutter. My characters are complex and different than the others. One book will not be a repeat of the last with the names and locations changed.
Is there anything I haven’t written? Any line I’ve refused to cross? I can understand why M&M readers would be blindsided by… borderline normal in Blended, but that doesn’t change a dang thing. I am the immovable object, and the only unstoppable force I will ever concede to is my own mind. Negativity will NEVER get me to move. It will only get me to become even more unbending. I’m always baffled by some comments and emails I get. My characters are dominant being. Who do you think created them? Exactly.
While many of my hardcore M&M fans will NOT enjoy Good Girl, the small following of Blended fans will NOT like Restraint. Why, you ask: because Erica Chilson is not a one-trick-pony. I have the capacity to write differing genres with equal fervor. I can write both, and I don’t ask my readers to read both. I’m good with two separate followings with a group of readers that straddle the genres. Just as my tastes have evolved over time, my writing does as well. Just as I was as a child, I am easily bored. I need both anti-reality and reality to keep myself interested… and an interested Wicked Writer writes better books than a writer that feels pressured into writing what readers want.
I thought I would get this out there to those who have criticized my use of addiction in Good Girl. First and foremost: addiction is an issue that plagues every family- it taints and destroys lives. Since the Blended series for me is my first venture from anti-reality into reality, I thought it best to deal with everyday issues that affect us all. If this isn’t your type of read… Don’t read it. I’m not forcing my stories on anyone. Same as I don’t force my cerebral f*ck known as the M&M series on anyone, either. My stories are NOT for everyone, and I’m okay with that…
Secondly: as whether or not it is possible to become addicted to marijuana(most seem to forget that Willow is dealing with an alcohol addiction as we debate over whether or not you can be addicted to pot, and no one on the planet will say alcohol is not addictive. So I’m sorry if Willow is having a craving. *shrugs*).
Any substance, any action, anything is addictive. Chemical dependency and coping mechanisms through repetitive action. Is it repetitive? Is it a chemical? If the answer is yes, then yes, you can become addicted.
A few of my betas commented on this, whether or not Pot could be addictive. While the main character is struggling with drug and alcohol use, Willow is NOT the source of the addiction in the blended family.
I will stress this: if you can get addicted to food, sex, hugging your teddy bear, washing your hands, Chap-stick, your morning cup of coffee, cigarettes, alcohol, why can’t you become addicted to pot? It’s a substance. It’s something someone takes as not only a coping mechanism but as a drug. Marijuana is called a DRUG, correct? Did I miss that somewhere? I guess the newest legislation spouting how Pot is not addictive and only a gateway is probably to blame. But since alcohol addiction runs rampant, lung cancer is at a all-time high from cigarette smoke, and both are legal….
Ask me about the mother of headache I get without my Diet Coke, and then tell me that my character cannot be addicted to a substance she used several times per day for 6 years. If you removed one thing from your routine that you have performed for nearly a decade, how off would you feel? Now add the fact that the chemicals have altered your body’s chemistry….
I have no idea if these comments stem from people who smoke weed and feel as if I am judging. I am not. It is personal responsibility on your end whether or not you want to imbibe. Recreational use is not the abuse I was showing with Willow- so if you take offense…. I’m sure I pissed off some heroin users later on in the book, too. The Blended series is about a family coming together to overcome the issues within their family, drug addiction just happens to be one of them. My largest goal was to show that enablers were just as at fault as the drug abuser. Note the use of Abuser versus User- yes, there is a difference between use and abuse. Ask someone addicted to food about overeating versus someone eating as fuel. I also have no idea if these comments are coming from someone who has never been around drugs, either. But to say you cannot get addicted to pot is like saying you can’t get addicted to anything else either.
Excuse me while I refill my glass of Diet Coke. I mustn’t have a headache. And later, I will count while I do everything I do during the day or risk an anxiety attack. But then again, I guess I will allow someone else to tell me if that is a problem or not.
Hey Wicked Readers it’s Giveaway Time!!!
As you may know (or not), over here at Wicked Reads, Erica is our President, Queen, King, Goddess, or whatever hat she chooses to wear, so we’re giving away copies of Restraint & Good Girl to 2 of our lucky readers.
How do you enter?
1. Like our Facebook page
2. Like Erica’s Amazon page: http://www.amazon.com/Erica-Chilson/e/B007X9QDRK
3. Like Erica Chilson‘s Facebook page & tell her that:
a. Wicked Reads says congratulations on Revamping Good Girl!!
b. Tag Wicked Reads when you leave the comment for an extra entry.
5. Comment on this post that you’re done & what Like # you were on Amazon.
You can earn extra entries by:
Liking this Post (1 entry); Sharing this Post (1 entry per page you share it on); & Tagging your friends (1 friend per comment; 1 entry for each comment with a tagged friend).
Our President’s Day Giveaway will run until 10:00 pm EST on 2/17/2014. Two winners will be chosen and announced by 11:00 pm.
Books will be gifted via Amazon US only.
Facebook is neither affiliate with nor responsible for this post or giveaway.
(click the photo to purchase)
The Revamped edition of Good Girl is also on sale for a limited time only. Begin the Blended Series at a discounted rate and save four dollars.
(click photo to purchase)
If you own the previous edition of Good Girl and need information on how to update *click here*
I would appreciate it if you would please share this information on book pages you frequent.
Good Girl’s revamped edition is now available on Amazon at a special republish sale price of 99 pennies. *limited time only* List Price: $4.99 **Purchase on Amazon**
Do I need to reread the revamped edition if I previously read Good Girl: Yes. GG’s 1st edition was 120,000 words & 50 chapters. GG’s Revamped edition is 220,000 words and 86 chapters. Storyline threads have been deleted. Every scene has been rewritten with many deleted. The main premise has been changed. Characters have evolved. The genre has changed from Erotica to Romance. The series title has changed from Playroom to Blended. Major editing. My apologies. GG is the foundation of the Blended series, and while writing Widow I hit major roadblocks that needed eliminated. GG will go through one more major edit when I edit the print proof for publishing into paper, but nothing will change other than those pesky errors. So if you find mistakes… after thousands of hours of staring at GG, sorry, I’m not touching it for at least a month.
Do I need to repurchase a copy of Good Girl: NO! Please, do not repurchase. I don’t wish to be paid twice for the same book, even though it is vastly different. Repurchasing GG will NOT give you the latest edition. Even if you delete GG off of your Kindle Library/Account, Amazon’s database still sees it as just re-downloading the previous copy while taking your hard-earned money. DO NOT REPURCHASE!!! I tried this myself, and was saddled with the same copy after spending a buck.
Will deleting the copy off of my device and re-downloading update my copy: No. I also tried this in the past.
Will an update be available through Amazon: Yes. Patience, please. At the bottom of this posting, I will c/p my email correspondence with Amazon to keep you informed.
Is there a way to update my copy until Amazon issues an official update: Yes. Manually through Amazon’s customer service. I will list a tutorial that Angela prepared for us from her experience. She said it took a total of 8 minutes from start to finish. So do not be intimidated by the steps.
How will I know if I have the updated edition: The title page will list that this is the Revamped/revised Edition February, 2014 & the Kindle Copies will say this on top of every page: Good Girl (Blended)
What do I do if I want to keep my old edition of Good Girl but also obtain the revamped edition: Screen shot your kindle library with Good Girl showing as proof of purchase, email me the image at: firstname.lastname@example.org. I will email you the newest copy.
Here is my email from Amazon:
We received your request to provide updated content to customers who purchased your book. Thanks for providing specific details about the changes made. We’ll perform a review of the changes to determine the most appropriate way to describe the updates to your customers. This review will complete within four weeks, and the possible results of our review are listed below.
1. If the changes made to your content are considered critical, we’ll email all customers who own the book to notify them of the update and improvements made. These customers will be able to choose to opt in to receive the update through the Manage Your Kindle page on Amazon.com. www.amazon.com/gp/digital/fiona/manage
2. If the changes made to your content are considered minor, we won’t be able to notify all customers by email, but we will activate their ability to update the content through the Manage Your Kindle page on Amazon.com.
3. If the changes made to your content have caused unexpected critical issues with the book content, we’ll temporarily remove your book from sale. We’ll notify you of any issues found so you can fix them. Once the improvements are made, just let us know and we’ll then email customers as in case 1.
While researching, I also see that you’ve already purchased the book “Good Girl” and a content update is available for your device.
At this time, customers who have purchased a Kindle book cannot automatically download the revised content. Our technical team is aware of this issue, and are working towards automating this process.
In the meantime, we can manually send the updated content to your device. Before we send it, you should be aware that once the new content is received, features such as Highlights, Last Page Read and Bookmarks will be removed and the locations of notes may not match in the updated copy of your book.
Erica again: as you can see from my email, you can manually have Amazon update your edition for you. Below will be the steps in how to go about this. You can do chat as below, or call Amazon for assistance. Please give Angela a huge thank you for writing this up for us. 😀
OK Everyone, here is the tutorial. It took me longer to write it up than it did to actually do the steps.
How to get Amazon to Push a Revised Edition of a book to your Kindle via Chat
1. Delete Good Girl from your Kindle device. Do NOT delete it from your Kindle Library.
2. Go to Manage Your Kindle (Link on Your Account drop down menu)
3. Allow Your Kindle Library to load for a minute and then type in “Good Girl” in the Search your library box.
a. “Good Girl (Blended) – Chilson, Erica” should appear in the drop down menu & click on it.
b. Right Click on the Order Details link & Open in a New Window or Tab
c. Go back to the Your Kindle Library page and move your mouse to hover over the Kindle Help link (located on the upper right side of the page below your Wish List tab).
d. Click on the Contact Us link. This should take you to the Help & Customer Service for Kindle page.
e. On the left side of that page, there is a Quick Solutions menu. Click on the Contact Us button. (You may be prompted to log into your account again.)
4. On the Contact Us Page,
a. Section 1 should have the Kindle tab active, so chose your Kindle Device.
b. Section 2, make the following selections:
i. Select an issue: My Kindle Books & Periodicals
ii. Select issue details: Managing/transferring content
iii. Select additional details: Using Archived Items
iv. Ignore the Did You Know? Section that pops up.
c. Section 3, Click on the “Start Chatting” Tab
5. When the Chat Window pops up and prompts you to explain your issue, enter the following info.
a. Hi, I need the revised edition of Good Girl by Erica Chilson pushed to my Kindle Account. Here is the corresponding Digital Order Summary #
D01 -5255260-6444807. I have deleted the previous version from Angela’s 2nd FIRE.
b. Be sure to change the Digital Order # to your order number (which can be found in the other open window or tab from step 2b) and your Kindle’s Nickname.
6. You should be connected with a Kindle Customer Service Rep rather quickly who can help you out.
a. Warning: I have on one occasion gotten a CS rep who did NOT know what he was doing. If the CS rep asks you to delete the book from your Kindle Library, tell him/her NO, that you need the revised edition pushed to your Kindle and ask for a different rep if necessary.
b. Be sure to open the newly arrived copy of Good Girl and make sure the header at the top of the page reads GOOD GIRL (BLENDED) before you end your chat.
Good Girl’s final edit and the beta process have taught me that you can, in fact, over-edit your work. I write in first person, present tense. I am the character as I write. I am in their head, expressing their thoughts and actions on paper. During an edit, I am no longer the character. I become the editor. It’s hard to step back and not mess with the flow. Yes, when you wear your editor hat you have to check for grammar, punctuation, misspelled and misused words, redundancy, and bad habits, WITHOUT stepping on the other voices. But there comes a point when your characters no longer sound like your characters and begin to sound just like you. It’s called your author voice, and it carries over into everything you create. The line you should never cross is the editor voice. If you find yourself second-guessing words, replacing them- prettying them up, you’ve crossed that line.
Since I completely revamped Good Girl, I sent it to way, way too many people to check over my work and look for mistakes. I entered the ‘too many cooks in the kitchen‘ zone. Betas are invaluable, and I can never express how thankful I am that they are willing to give me their time and opinions. But, at the end of the day, this is my creation. The large grouping of betas gave me great insight into how you can over-edit. A few over-thought the process, becoming head-blind and only noting one thing, to the point they didn’t see anything else. This was valuable to me, because it showed me how I was doing the same thing. It is called a beta read for a reason. They are to ‘read‘ and note anything that yanks them from the story, and I need that. That is what annoys purchasing readers and reviewers. But with too many betas, you begin to have too many ‘voices’.
I am the one who has to rewrite the draft, because I am the only one who knows the characters. I am the one that has to rewrite the draft, because it is my author voice that created the characters. It has been an uphill battle to overlook everything that wasn’t necessary during the editing process. I kept second-guessing myself. “Maybe they are right.” “Maybe this sucks.” And then I realize that the sentence structure was not my sentence structure, that it began to take on the cadence of the beta reader. And that is why it’s not called Beta ‘edit’ or Beta ‘write’.
Whether wrong or right in the eyes of a ‘professional’, it has nothing to do with my storytelling. Two of my favorite authors are without a doubt butchers of the English language. Does that make me love them any less? Hell, no! It makes them unique. Now, I’m not talking sloppy, lazy writing. I’m speaking of their voice and the way their stories unfold, be it the flow of their words or the way they put it to paper. If you handed me a passage of their writing without stating who it was, I could accurately say who wrote it. That everlasting impression is what captivated me and kept me entertained for years. It’s what makes me salivate for their new releases- waiting more than a year per book. I want to be that for my readers, flaws and all.
Voice is more important than anything in my eyes, for without it, everything else just falls flat. It’s when you’re reading a book that is perfect but boring. Currently my character is a flawed 18 year old girl. I don’t care if the dialogue is flawed because what 18 yo, let alone a 35 yo, speaks perfectly? I’m not speaking of a jumbled up mess with shitty editing. There is a delicate balance between allowing your character’s voice to shine alongside the author voice, without infringing upon it with the editor voice.
How many times do I write one sentence? Dozens- at least. By the time I get the ‘beta copy‘ back from the betas, I’ve already rewritten that sentence again once or twice. That is why I try to stress that I’m only looking for the things that are off, because everything else is never the same. I will use this mortifying example: Panty vs Pantry. Yes, Erica wrote Panty in place of Pantry, not once, but TWICE. Isis gained an evil (good?) twin named Iris two times as well. I had a sLiver tank top versus a siLver tank top. Suz and her ‘inequity’ had me imagining a bunch of lawyers sitting around a table in their den. Iniquity 😉 Puts a whole new spin on a den of ‘inequity’, eh? My point being, what is more embarrassing: a missing comma or getting food out of your panties? While some lawyers are sexy, not all of them are. So I don’t think I’d enjoy a den of them, would you?
By the time I get the beta copies back, the odds that the words are shuffled around in the sentence and the punctuation has been fiddled with are about 100%. But the majority of the words remain the same. Those are the words my mind replaced on me. I become head-blind. This is why I need beta ‘readers’ to spot these words. I cannot stress this strongly enough. The editing is done ‘after‘ the beta ‘read’. Trust me; I know. I’ve been doing it for the past 13 days straight, twenty hours per day. (Hell, when was the last time I slept, anyway? I’m not joking. It’s 5 a.m. est, and I’ve yet to shut my eyes from the day before- I’m not writing or rewriting. All of my attention is solely focused on those dang rules- editing. I’ve learned my lesson from past horrors) Number one rule of writing: you NEVER edit while you write. You’ll get nowhere- FAST. It’s only good habits that keep your first three drafts from being a total disaster. There is a highly probable chance that those commas, periods, quote marks, ellipsis, and hyphens no longer exist. The betas receive a draft of many, not the final draft. It was one draft from being the gibberish in my head. That’s why I stress, “don’t over-think it.” Obviously I’m stressing this now for a reason 😉 *maniacal laughter*
I found myself going word-for-word, nit-picking, worrying that I was doing it wrong, and I was leaving my character and myself behind. If you look at anything too closely, you’ll find fault in it. A sentence is a string of words with endless possibilities of rearrangement. My character spewed them onto the page, and it is my job to make sure they make sense for the reader. But it is not for me to twist their words until they are no longer ‘their’ words. Writing a sentence is not complicated, unless you complicate it with over-thinking. You are expressing a thought, and nothing more.
What is complicated are the rules of your language, which vary by country, and are all up to interpretation. Writing rules change, and we can debate them to death. Oxford Comma debate, anyone? Chicken/egg? Let’s debate grammar and punctuation until it’s just a string of words that no longer read like a story, shall we? But those rules must also take a backseat to an area’s dialect. I only write characters in the North East for a specific reason- that is my region, with my dialect. If you use rules and forgo the dialect. FLAT. While perfect, it will be perfectly flat.
I cannot even guess the amount of hours I put into Good Girl. Thousands upon thousands of hours- all my hours. So it will be up to me to know what is best for the quarter of a million words that were my creation. I’m sure when it’s completed it will be flawed, that if someone wishes to tear it to shreds for their own entertainment, they will find enough wrong to do so. But as I said, a sentence is a string of words with endless possibilities… string your own sentence together, and then have the balls to withstand an army of backseat ‘editors’ dissecting it. I bet you get the same amount of variants as you do editors. You have no idea the amount of courage it takes to press publish, and how much more courage it takes to ignore the negativity. A writer has to possess quiet dignity and suffer in silence.
Good Girl is a story about a young woman learning to love herself, to be comfortable in her own skin. I had an epiphany this evening as I was editing. Me, Myself, and I get along famously with the hundreds of characters thriving in our mind, so why am I allowing anyone to enter my sanctuary? You can debate my writing style, but you will never debate me about my writing style.
Back to those rules: I play by the rules for the most part or my novels would be impossible to read. Anyone who knows me personally, or knows my ‘voice, should have figured out by now that I do not like being told what to do or how to do it.
I’m a rebel, and I’m perfectly fine with being perfectly flawed.
The Wicked Writer.
Happy Valentine’s Day, my wicked readers. Whether you are single or coupled, you’ll never be disappointed in a book lover like you could be in a real life lover- in imagination land, all your needs are met and never left unfulfilled. This Valentine’s Day, grab a hot and steamy book, and immerse yourself in some sweet romance that will never disappoint. Join us February 10-15th on the Valentine’s Day Gift Hop, and please give a warm thanks to Skye Warren for organizing this HUGE Blog Hop.
Erica Chilson, the Wicked Writer, is giving away a $10 Amazon Gift Card & a Kindle copy of her revamped erotic romance title, Good Girl, to one lucky commenter, and all comments are entered into the main giveaway of a KINDLE PAPERWHITE & A DIGITAL NEW ADULT ROMANCE BASKET. Comment on every participating blog post to be entered in the main giveaway as well as the individual giveaways. Have fun, hop around, and discover new, hot & steamy, wicked & romantic reads, as well as new authors to add to your read list, and book reviewers to feed your book addiction.
Click the large banner above to be connected to the list of participating blogs or simply *click here*. Don’t forget to stop by Skye Warren’s page and give a hello to enter her giveaway as well. *click here* or click the Gift Hop image on the left.
~Happy Valentine’s Day & good luck. Happy Hopping~